The Loveless

And, uh, I, uh, but yeah, I think, um, I know that like among like midnight movie fans and stuff, like back in the old days, as well as today, like it's, it's kind of like beloved, but I, um, I don't care for it.

What was on the tip of my tongue a minute ago with Catherine Bigelow was I believe she also directed The Loveless, which was with William Dafoe.

That's like rockabilly leather jacket stuff, so I think it's cool.

But it's done right.

You don't like John

Perrette?

like he's goofy and like that whole um that whole the whole movie is just awful and cringe but the loveless uh he

also did eddie he was a star eddie and the cruisers right

But why don't you know what? Why don't we start the show and we'll get to it in a second.

Hello, everyone, and welcome to another episode of Synanauts, the film podcast with the simple goal of learning to murder innocent people for their blood because we fell in love with a cute girl at a bar.

And now I'm a vampire.

My name is Surprise.

Glad to be here, as always.

As always.

On last week's episode, we watched the rural horror dream logic film called The Reflecting Skin.

Neither of us liked it that much.

And I should, to be clear, I double checked this.

She has one feature length before this, but she co-directed The Loveless with Willem Dafoe, which is like a motorcycle gang movie.

So this was like her first solo, you know, directorial debut.

That's what a debut is.

He produced another film called The Portrait of a Lady.

Uh, he co-directed a film alongside Kathryn Bigelow back in the '80s called The Loveless starring Willem Dafoe.

I think that's his only directorial effort, and I believe that, uh, Mulholland Drive is his only acting credit.

He is incredible, and not only is he weird and freaky, uh, and he has this like ...