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The Driver's Seat

The Driver's Seat

Book by Muriel SparkWikipedia

Search complete. 5 mentions across 4 episodes found for "The Driver's Seat".

Oct 2, 2026

Kemper DonovanHOST
28:05
Like, there are very, uh, there are a few books that really stay with you.
Kemper DonovanHOST
28:09
Um, you know, y- Muriel Spark, uh, The Driver's Seat has always stayed with me-
Gray Robert BrownGUEST
28:14
Mm
Kemper DonovanHOST
28:14
... which you introduced me to, Gray.
Trevor BerrettHOST
53:55
Um, I guess in another, you know, upcoming read for me, I know you're not doing this project necessarily, but, um, the, the next book in my Muriel Spark read-a-thon is going to be, uh, one of my favorites of the past.
Trevor BerrettHOST
54:09
It's a reread of "The Driver's Seat."
Paul WilsonHOST
54:12
Oh, cool.
Trevor BerrettHOST
54:12
We'll be entering the 1970s with Muriel Spark.
Trevor BerrettHOST
54:15
This is gonna be book 10 for October.
Trevor BerrettHOST
54:17
We, you know, one book every month, um, until we're done at 22 books.
Trevor BerrettHOST
54:21
This is book 10, "The Public"... or not "The Public Image," "The Driver's Seat." We just finished "The Public Image," which was also a reread for me, and probably was my least favorite of her books when I first read it.
Trevor BerrettHOST
54:33
I loved it this time.
James WoodHOST
4:27
Uh, why should we assume that a character made up of words on a page has a direct connection, uh, to a human being? Why should we think that we should know, uh, what a character is in a novel just because we're told a lot of things about her? The French nouveau romancier, that's to say French postmodern avant-garde, uh, writers like Nathalie Sarraute, um, were quite interested in Muriel Spark, as it turns out, in the 1960s, um, because they detected, I think, amidst a kind of solid British, uh, post-war realism, think, say, Kingsley Amis, they detected in Spark, uh, someone who was more interesting and radical and, uh, self-reflective about the processes of writing, uh, than her peers.
James WoodHOST
5:21
Indeed, she famously, uh, wrote a, a, a frankly postmodern and self-reflective, uh, novel called The Driver's Seat in 1970, which as the, as the, um, title might, uh, give away, it meditates quite deeply on questions of au- sort of authorial omniscience and control and so on.
James WoodHOST
5:41
Anyway, this is all quite boring, and the one thing I don't want to be is boring about this absolutely brilliant, funny novel that means so much to me.
James WoodHOST
5:54
So let's get to the, the basics.
James WoodHOST
4:11
Uh, why should we assume that a character made up of words on a page has a direct connection, uh, to a human being? Why should we think that we should know, uh, what a character is in a novel just because we're told a lot of things about her? The French nouveau romancier, that's to say French postmodern avant-garde, uh, writers like Nathalie Sarraute, um, were quite interested in Muriel Spark, as it turns out, in the 1960s, um, because they detected, I think, amidst a kind of solid British, uh, post-war realism, think, say, Kingsley Amis, they detected in Spark, uh, someone who was more interesting and radical and, uh, self-reflective about the processes of writing, uh, than her peers.
James WoodHOST
5:06
Indeed, she famously, uh, wrote a, a, a frankly postmodern and self-reflective, uh, novel called The Driver's Seat in 1970, which, as the, as the, um, title might, uh, give away, it meditates quite deeply on questions of au- sort of authorial omniscience and control and so on.
James WoodHOST
5:26
Anyway, this is all quite boring, and the one thing I don't want to be is boring about this absolutely brilliant, funny novel that means so much to me.
James WoodHOST
5:38
So let's get to the, the basics.

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