The Barber of Seville

And I just, I have that nature that I want to get to the top of the mountain or the roof and just scream.

It's like, are you guys listening? Are we paying attention? And as much as I love the classical music audience, and I love the classical music audience because there's deep passion and you hear Barber of Seville, and it's the definitive opera for you.

And you will always, in every future production of Barber of Seville, you will always compare it to that one that made you fall in love with it.

We hear Nessun Dorma, and we want to hear Pavarotti.

We just do.

All LibriVox recordings are in the public domain.

For more information or to volunteer, please visit LibriVox.org. Frailty and Hypocrisy, sequel to Seville Barber or Fruitless Precaution, and to Figaro's Wedding, A Day of Folly.

A drama in five acts by James Wilde, London.

Printed and published for the author by John Hayes, Dartmouth Street, Westminster, 1804.

My whole understanding of classical music came from Looney Tunes.

So seriously, if you Google right now and you look on YouTube on Bugs Bunny and the Barber of Seville, it is amazing.

It's all conflict.

It's anger issues.

Oh, good luck.

What are you going to watch? It's just going to be The Barber of Seville followed by The Barber of Seville and then again The Barber of Seville and then maybe some HMS Pinafore.

Yes, that's my new resolution.

All right, so maybe I don't need to tell you, but I am going to anyway.

So evenly were the two players matched that the competition was declared a draw.

Paisiello, composer of The Barber of Seville, was a lovable character for whom Wolfgang developed a great liking.

Salieri, a disciple of Gluck and a teacher of Schubert, appears to have criticized some of Mozart's works, and Viennese gossip did what it could to make the matter worse.

The result was that Salieri lives on in history largely because of a wild slander that he had given Mozart a poison, causing the latter's untimely death the meeting with joseph haydn resulted in one of the noblest and most rewarding friendships the records of music afford artistically their creations benefited inestimably from the mutual influence of their works and personalities haydn says dr karl geiringer was fascinated by mozart's quicksilver personality while mozart enjoyed the sense of security that haydn's steadfastness and warmth of feeling gave him it was as if the two men kindled brighter sparks in each other's souls They played chamber music together whenever Haydn made a trip to Vienna, and the younger man was quick to acknowledge that it was from his older colleague he first really learned to write string quartets.

So, uh, I think some people might remember from, uh, Les Mis, like, the, the, the musical, that they, they rotate the stage when people are, and can kinda run in place.

And so we were doing, uh, Barber of Seville, uh, and we had a lightning strike, and it over, uh, charged the, uh, it basically p- sent a surge and made the en- uh, motor start spinning too fast.

And so everyone on stage started having to run up and down stairs and through doors and windows faster than they should have been able to do.

And then every, we started to smell all kinds of smoke as the motor started to overheat.

Se si pensa all'opera lirica, la popolarità italiana non ha davvero rivali.

Molti grandi compositori come Rossini, Verdi e Puccini erano italiani e le loro opere, capolavori come Il Barbiere di Siviglia, La Traviata, La Bohème e La Cavalleria Rusticana, hanno impressionato migliaia di appassionati per molti secoli e in tutto il mondo.

Questo genere musicale è stato molto popolare in Italia nel 1700 e nel 1800.

D'altro canto, la musica italiana dei nostri giorni e del secolo precedente non ha avuto lo stesso impatto all'estero, nonostante i suoi bravi compositori e musicisti.