
The Agony and the Ecstasy
Novel by Irving StoneWikipedia
7
MENTIONS
7
EPISODES
7
PODCASTS
Search complete. 7 mentions across 7 episodes found for "The Agony and the Ecstasy".
Oct 7, 2026
From The Big Story: Why the Future Doesn't Need Us
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20:54Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-1970s, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
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21:09Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble spell, carving from the images in his mind.
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21:26Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
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21:31Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
From The Big Story: Why the Future Doesn't Need Us
B
20:24Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-1970s, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
B
20:39Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble spell, carving from the images in his mind.
B
20:56Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
B
21:01Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
From The Big Story: Why the Future Doesn't Need Us
B
21:24Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-1970s, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
B
21:39Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble spell, carving from the images in his mind.
B
21:56Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
B
22:02Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
From The Big Story: Why the Future Doesn't Need Us
B
20:54Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-nineteen seventies, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
B
21:09Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble spell, carving from the images in his mind.
B
21:26Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
B
21:31Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
From The Big Story: Why the Future Doesn't Need Us
B
20:24Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-1970s, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
B
20:39Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble spell, carving from the images in his mind.
B
20:56Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
B
21:01Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
From The Big Story: Why the Future Doesn't Need Us
B
20:24Brendan NorthNARRATOR
When I went to graduate school at UC Berkeley in the mid-1970s, I started staying up late, often all night, inventing new worlds inside the machines, solving problems, writing the code that argued so strongly to be written.
B
20:39Brendan NorthNARRATOR
In The Agony and the Ecstasy, Irving Stone's biographical novel of Michelangelo, Stone described vividly how Michelangelo released the statues from the stone, breaking the marble's spell, carving from the images in his mind.
B
20:56Brendan NorthNARRATOR
In my most ecstatic moments, the software in the computer emerged in the same way.
B
21:01Brendan NorthNARRATOR
Once I had imagined it in my mind, I felt that it was already there in the machine, waiting to be released.
Sell Your Art, Without Shame
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6:28Ally FallonHOST
I don't know that those days actually ever existed.
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6:30Ally FallonHOST
But I'm in the middle of reading The Agony and the Ecstasy, which is the story of Michelangelo and how he became to be the amazing artist that he is.
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6:38Ally FallonHOST
And I do feel that there are big differences between being an artist now and present day and being an artist hundreds of years ago.
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6:44Ally FallonHOST
So there are differences there, and yet this common theme remains true.