Take the "A" Train
Song by Billy Strayhorn and Duke EllingtonWikipedia
14
MENTIONS
12
EPISODES
9
PODCASTS
Search complete. 14 mentions across 12 episodes found for "Take the "A" Train".
Nov 3, 2026
#3 Playing in Bb with No Capo
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29:05Eli GilbertHOST
[playing banjo] Um, uh, I always think about it as, like, the intro to the, that Duke Ellington tune, um, or Billy Strayhorn.
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29:13Eli GilbertHOST
I can't remember who, but, um, "Take the A Train." Uh...
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29:16Eli GilbertHOST
[playing banjo] Anyway, um, in the p- in the case of "Peaches and Cream," you've got this C chord.
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29:27Eli GilbertHOST
[playing banjo] If you move the C to a C sharp.
In the Heights — Is City Center’s Gala Production Broadway Ready?
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29:51Richie GrassoHOST
I was also going to say this earlier.
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29:53Richie GrassoHOST
I feel like Lynn... has such references to Cole Porter and Take the A-Train and It's a Wonderful Life and refers to older things too.
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30:02Richie GrassoHOST
And when you listen to Usnavi and a lot of those raps and you really listen to the hip hop and some of what Usnavi's saying, you're like, oh, there's some cool Easter eggs of references.
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30:13Richie GrassoHOST
And I think that keeps the charm of it.
95bFM Jazz Show with your host Blind Mango Chutney, 1 Nov 2026
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50:33Blind Mango ChutneyHOST
Right now we're going to go to something of a classic nature, I guess.
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50:38Blind Mango ChutneyHOST
This is a track called Take the A-Train.
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50:43Blind Mango ChutneyHOST
Let me just double-check that.
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50:44Blind Mango ChutneyHOST
That was my phone, wasn't it? Take the Atrium, yes.
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50:59Blind Mango ChutneyHOST
I don't think you'll have this version, though, because this is a radio transcription.
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51:03Blind Mango ChutneyHOST
It's not any sort of thing that came out on a 7-inch or a 10-inch or an album.
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51:10Blind Mango ChutneyHOST
So this is a radio transcription of the track Take the A-Train.
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51:14Blind Mango ChutneyHOST
It's the Duke Ellington Orchestra from about 1946.
Pam Manfredo Curtis: Your Leadership Style Has a Backstory
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43:35Mark C. CrowleyHOST
So please reach out.
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43:37Mark C. CrowleyHOST
Our brilliant theme music is the jazz classic Take the A-Train, performed by the BBC Big Band Orchestra.
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43:43Mark C. CrowleyHOST
And finally, as always, a big thank you goes to my team that brings you this podcast, Mr. Ken Boynton, Carrie Fennessy, Anna Boynton, and my wonderful producer, Dustin Mahler.
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43:53Mark C. CrowleyHOST
I leave you now with my two consistent reminders.
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Unknown podcast
Popular Music(OCR A-Level)
Oct 20 · 1 Mention
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6:43speaker_0HOST
Duke Ellington, composer, pianist, and bandleader.
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6:46speaker_0HOST
His orchestra was one of the most sophisticated in the swing era, and pieces like Take the A-Train and It Don't Mean a Thing are essential listening.
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6:54speaker_0HOST
Benny Goodman, clarinetist known as the King of Swing.
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6:57speaker_0HOST
His 1938 Carnegie Hall concert is often cited as a landmark moment for jazz's mainstream acceptance.
Bubbling Brown Sugar (with Xae Copeland)
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8:29Alex AspHOST
So we might as well just get right into it.
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8:32Alex AspHOST
The opening track is Stompin' at the Savoy and Take the A-Train.
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8:37Alex AspHOST
And these are instrumental, kind of serving as like an overture.
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8:40Alex AspHOST
I'm not sure exactly how they function in the show, but they are, you know, the Stompin' at the Savoy is the music by Edgar Sampson.
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8:49Alex AspHOST
And the A, you know, Take the A-Train is Billy Strayhorn, but made famous by Duke Ellington.
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8:54Alex AspHOST
So these are some very well-known songs.
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8:55Alex AspHOST
Even if you don't know the titles, you probably would recognize the music.
Constantine Alexandrakis: Why Leadership Is No Longer a Solo Act
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44:00Mark C. CrowleyHOST
I hope you'll look forward to it.
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44:02Mark C. CrowleyHOST
Our theme song is Take the A-Train, performed by the BBC Big Band Orchestra.
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44:06Mark C. CrowleyHOST
I want to thank my exceptional team, Mr. Ken Boynton, Anna Boynton, Carrie Finnessy, and my wonderful sound engineer and producer, Mr. Dustin Mahler.
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44:15Mark C. CrowleyHOST
And finally, I leave you with my two consistent messages.
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Unknown podcast
African Rhythms & West African Bells: The Turning Point That Sparked Jazz’s Global Rise
Oct 13 · 1 Mention
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12:06speaker_1UNKNOWN
Improvisations were quick bursts tucked into an orchestrated framework.
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12:11speaker_1UNKNOWN
That was what audiences expected from radio hits like Duke Ellington's Take the A-Train or Count Basie's Shiny Stockings.
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12:18speaker_1UNKNOWN
Bebop pushed that groove to the side, replacing danceability with rapid chord changes and dizzying chromatic lines.
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12:26speaker_1UNKNOWN
Mulligan, however, listened for a different kind of space, where silence was as valuable as sound.
Episode 384: Jazz Recordings Inspired By Love, Part 2
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38:35Larry SeidmanHOST
The album is titled And His Mother Called Him Bill, and it came about because Ellington took his band into the studio just months after Billy Strayhorn's death.
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38:47Larry SeidmanHOST
Ellington had written many amazing tunes with Strayhorn, such as "Satin Doll," and he arranged and made famous many of many other Strayhorn compositions such as "Take the A Train," "Lotus Blossom," "Lush Life," "A Flower is a Lovesome Thing," and "Chelsea Bridge." After Strayhorn's death in 1967, Ellington took his band into the studio to record some of Strayhorn's repertoire.
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39:15Larry SeidmanHOST
The emotional centerpiece of the album occurred at the end of the session when Ellington sat alone at the piano playing "Lotus Blossom" while the orchestra packed up in the background.
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39:28Larry SeidmanHOST
From His Mother Called Him Bill, here is "Lotus Blossom." Duke Ellington.
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Unknown podcast
Harlem Rag & the First Published Rag: Tom Turpin’s Quiet Revolution
Oct 12 · 1 Mention
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12:13speaker_1UNKNOWN
This sonic palette made his solos instantly recognizable.
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12:17speaker_1UNKNOWN
When you listen to the 1930 recordings of Things Ain't What They Used to Be or Take the A Train, William's muted lines sit right on top of Duke's lush voicings, and that juxtaposition made Swing feel both urgent and introspective at once.
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12:34speaker_1UNKNOWN
In those sessions, his solos were often foregrounded, giving listeners a new focal point.
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12:41speaker_1UNKNOWN
The result was a more dramatic, emotionally charged swing sound.
2 more episodes mention Take the "A" Train.
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