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Take the "A" Train

Take the "A" Train

Song by Billy Strayhorn and Duke EllingtonWikipedia

Search complete. 14 mentions across 12 episodes found for "Take the "A" Train".

Nov 3, 2026

Eli GilbertHOST
29:05
[playing banjo] Um, uh, I always think about it as, like, the intro to the, that Duke Ellington tune, um, or Billy Strayhorn.
Eli GilbertHOST
29:13
I can't remember who, but, um, "Take the A Train." Uh...
Eli GilbertHOST
29:16
[playing banjo] Anyway, um, in the p- in the case of "Peaches and Cream," you've got this C chord.
Eli GilbertHOST
29:27
[playing banjo] If you move the C to a C sharp.
Richie GrassoHOST
29:51
I was also going to say this earlier.
Richie GrassoHOST
29:53
I feel like Lynn... has such references to Cole Porter and Take the A-Train and It's a Wonderful Life and refers to older things too.
Richie GrassoHOST
30:02
And when you listen to Usnavi and a lot of those raps and you really listen to the hip hop and some of what Usnavi's saying, you're like, oh, there's some cool Easter eggs of references.
Richie GrassoHOST
30:13
And I think that keeps the charm of it.
Blind Mango ChutneyHOST
50:33
Right now we're going to go to something of a classic nature, I guess.
Blind Mango ChutneyHOST
50:38
This is a track called Take the A-Train.
Blind Mango ChutneyHOST
50:43
Let me just double-check that.
Blind Mango ChutneyHOST
50:44
That was my phone, wasn't it? Take the Atrium, yes.
Blind Mango ChutneyHOST
50:59
I don't think you'll have this version, though, because this is a radio transcription.
Blind Mango ChutneyHOST
51:03
It's not any sort of thing that came out on a 7-inch or a 10-inch or an album.
Blind Mango ChutneyHOST
51:10
So this is a radio transcription of the track Take the A-Train.
Blind Mango ChutneyHOST
51:14
It's the Duke Ellington Orchestra from about 1946.
Mark C. CrowleyHOST
43:35
So please reach out.
Mark C. CrowleyHOST
43:37
Our brilliant theme music is the jazz classic Take the A-Train, performed by the BBC Big Band Orchestra.
Mark C. CrowleyHOST
43:43
And finally, as always, a big thank you goes to my team that brings you this podcast, Mr. Ken Boynton, Carrie Fennessy, Anna Boynton, and my wonderful producer, Dustin Mahler.
Mark C. CrowleyHOST
43:53
I leave you now with my two consistent reminders.

Unknown podcast

Popular Music(OCR A-Level)

Oct 20 · 1 Mention

speaker_0HOST
6:43
Duke Ellington, composer, pianist, and bandleader.
speaker_0HOST
6:46
His orchestra was one of the most sophisticated in the swing era, and pieces like Take the A-Train and It Don't Mean a Thing are essential listening.
speaker_0HOST
6:54
Benny Goodman, clarinetist known as the King of Swing.
speaker_0HOST
6:57
His 1938 Carnegie Hall concert is often cited as a landmark moment for jazz's mainstream acceptance.
Alex AspHOST
8:29
So we might as well just get right into it.
Alex AspHOST
8:32
The opening track is Stompin' at the Savoy and Take the A-Train.
Alex AspHOST
8:37
And these are instrumental, kind of serving as like an overture.
Alex AspHOST
8:40
I'm not sure exactly how they function in the show, but they are, you know, the Stompin' at the Savoy is the music by Edgar Sampson.
Alex AspHOST
8:49
And the A, you know, Take the A-Train is Billy Strayhorn, but made famous by Duke Ellington.
Alex AspHOST
8:54
So these are some very well-known songs.
Alex AspHOST
8:55
Even if you don't know the titles, you probably would recognize the music.
Mark C. CrowleyHOST
44:00
I hope you'll look forward to it.
Mark C. CrowleyHOST
44:02
Our theme song is Take the A-Train, performed by the BBC Big Band Orchestra.
Mark C. CrowleyHOST
44:06
I want to thank my exceptional team, Mr. Ken Boynton, Anna Boynton, Carrie Finnessy, and my wonderful sound engineer and producer, Mr. Dustin Mahler.
Mark C. CrowleyHOST
44:15
And finally, I leave you with my two consistent messages.

Unknown podcast

African Rhythms & West African Bells: The Turning Point That Sparked Jazz’s Global Rise

Oct 13 · 1 Mention

speaker_1UNKNOWN
12:06
Improvisations were quick bursts tucked into an orchestrated framework.
speaker_1UNKNOWN
12:11
That was what audiences expected from radio hits like Duke Ellington's Take the A-Train or Count Basie's Shiny Stockings.
speaker_1UNKNOWN
12:18
Bebop pushed that groove to the side, replacing danceability with rapid chord changes and dizzying chromatic lines.
speaker_1UNKNOWN
12:26
Mulligan, however, listened for a different kind of space, where silence was as valuable as sound.
Larry SeidmanHOST
38:35
The album is titled And His Mother Called Him Bill, and it came about because Ellington took his band into the studio just months after Billy Strayhorn's death.
Larry SeidmanHOST
38:47
Ellington had written many amazing tunes with Strayhorn, such as "Satin Doll," and he arranged and made famous many of many other Strayhorn compositions such as "Take the A Train," "Lotus Blossom," "Lush Life," "A Flower is a Lovesome Thing," and "Chelsea Bridge." After Strayhorn's death in 1967, Ellington took his band into the studio to record some of Strayhorn's repertoire.
Larry SeidmanHOST
39:15
The emotional centerpiece of the album occurred at the end of the session when Ellington sat alone at the piano playing "Lotus Blossom" while the orchestra packed up in the background.
Larry SeidmanHOST
39:28
From His Mother Called Him Bill, here is "Lotus Blossom." Duke Ellington.

Unknown podcast

Harlem Rag & the First Published Rag: Tom Turpin’s Quiet Revolution

Oct 12 · 1 Mention

speaker_1UNKNOWN
12:13
This sonic palette made his solos instantly recognizable.
speaker_1UNKNOWN
12:17
When you listen to the 1930 recordings of Things Ain't What They Used to Be or Take the A Train, William's muted lines sit right on top of Duke's lush voicings, and that juxtaposition made Swing feel both urgent and introspective at once.
speaker_1UNKNOWN
12:34
In those sessions, his solos were often foregrounded, giving listeners a new focal point.
speaker_1UNKNOWN
12:41
The result was a more dramatic, emotionally charged swing sound.

2 more episodes mention Take the "A" Train.

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