System Shock

You know what? That's so funny.

Cause I had it there for a hot second and then I saw system shock and I couldn't do it.

And then when I dropped again, I dropped cause of Metroid.

And then I saw where I landed at that Panzer and Mario tennis.

I kind of dropped a bit and then saw system shock and was like, no, I'm in the right spot.

But objectively, I can

concede with System Shock.

Is...

You don't really notice it at all.

And so, yeah, I feel like the only other game that I remember doing that is the System Shock remake.

And I thought both of those like worked really well in that it is kind of for the System Shock remake.

It was like kind of acknowledging the fact that, yes, this is a remake of a game that looked much worse, quote unquote, and that they're kind of like in a way paying homage by making the textures so like pixely to me, at least that's what it felt like.

And I think Nivalis Nights is like it's not paying homage to any specific game, but just that choice, I think, makes it feel unique in a lot of ways.

He will go on to lose that case, but not without setting a precedent that a person's voice is subject to protection under publicity rights laws.

Also, there's a random System Shock trailer in here.

Thanks, Real Gamer.

Our fact originally said you had to use AI for the mega jam.

The thing that was weird for me is that because we've been doing this book club this way, right? 1 and 2 did not have anything like this at all.

And neither did, especially, neither did the System Shock remake that we also went through, right? So I completely agree with you.

I do think that this is a...

I don't know if I put this on Bioshock Infinite versus the time it was made because a lot of games were doing that thing, right? But regardless, I totally...

Seems like it's gonna be another year before it comes out.

System Shock, I don't know how long that's been in development, but that's obviously not coming out this year.

Like, that's, you know, at best next year.

And like, you get these, you get these games that are, you know, really exciting, big projects.

Incredible.

Just, I mean, takes me back to like Bioshock and System Shock and other games that really embraced audio as part of the storytelling mechanics, part of the emotional mechanics, part of the game design.

And you don't see that very often.

People concentrate a lot on the input and things like that.