Sylvia Sidney

And you're like, yeah, that's what we need.

We need like before Sylvia Sidney died, we should have had her on a whole bunch of things.

And, you know, because I have to tell everybody the girl from Beetlejuice, that's the girl from, you know, from sabotage, saboteur, sabotage.

And so, yeah, and some Fritz Lang stuff.

Portman,

Jim Brown, Lisa Marie, Sylvia Sidney, Paul Winfield, Pam Greer, Jack Black, Janice Rivera, and Ray J. Ray J's the kid.

One of the two kids with the guns.

Oh! Before...

Yeah.

Also in this movie, you're going to recognize Robert Foxworth, Nicholas Pryor, Lou Ayers, Sylvia Sidney, Lance Henriksen, and Lucas Donat.

We open in Jerusalem this time, one week after the ending of the first film.

Kind of.

And then I'll just, the last one is I'm going to tease a movie because we're going to actually cover this on an upcoming Oscar episode.

A movie from 1936 called Fury, starring Spencer Tracy and Sylvia Sidney.

And again, I think this is required viewing because it's the injustice and mob justice and vigilantes and the mob just... making bad decisions and being led to do horrible things.

In this one, Spencer Tracy is wrongly accused of a kidnapping.

And now he's trying to make sure that all the people who tried to kill him get the death sentence for his murder.

But he's not dead.

And so he's on the sideline behind the scenes trying to get his brothers and even Sylvia Sidney is his girlfriend to get these guys basically executed for his murder.

But the right thing to do is to come forward and let everybody know he actually isn't dead.

We talked about him in the movie You and Me from 1938, way back.

And he—like, you know, I think about that movie now, like, with time removed— He's not, you know, he's, he's, I like seeing him, you know, and Sylvia Sidney trying to get together and, you know, trying to make something work out of this little relationship that they got.

So it's not like he's bad at it.

The problem is, is that he's got way more charismatic people in this movie.

Not at all, C.B., I'm shouting, here come the Americans.

If you could have been with me last summer in London, you would have seen Marlena Dietrich, Sylvia Sidney, Edward G. Robinson, Anne Harding, Henry Fonda, all making English films.

I'm sure you'd have thought you were in your own studio.

London films are using the best British talent they can secure and the best American talent they can buy.