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Swanee

Swanee

Song by George GershwinWikipedia

Search complete. 20 mentions across 6 episodes found for "Swanee".

Oct 13, 2026

Ted GioiaGUEST
17:16
You have George Gershwin.
Ted GioiaGUEST
17:18
1920 has his first hit record, Swanee.
Ted GioiaGUEST
17:21
And Gershwin is definitely trying to bring jazz ingredients into his music.
Ted GioiaGUEST
17:25
So the way you hear it is the syncopation, where often the accents aren't falling on the beat anymore.
Larry MaslonHOST
3:19
Again, real or imagined, fictional or non-fictional, we just seem to love them.
Larry MaslonHOST
3:24
because A, they're larger-than-life characters, B, they have theatrical history in them, C, they also have a chance to sing some of the songs that made them famous, like Musical Comedy Man, a forgotten song from the workbook of George M. Cohan.
Larry MaslonHOST
3:42
But let us go through our list.
Larry MaslonHOST
3:45
I want to thank the Ira and Leonore Gershwin Philanthropic Fund, who are our sponsors in part for 2025.
Larry MaslonHOST
3:52
Thank you very much.
Larry MaslonHOST
3:54
And let us go to someone who made a George Gershwin song a big hit, Swanee, in 1919.
Larry MaslonHOST
4:00
That's Al Jolson.
Larry MaslonHOST
4:02
And Al Jolson, of course, was a real-life entertainer, but he famously played Jakey Rabinowitz, whose stage name in vaudeville was Jack Robin in the immortal film The Jazz Singer.
Alfred SimonGUEST
27:33
This actually was the first really important Gershwin song for the theater.
Alfred SimonGUEST
27:37
"Swanee," of course, came before, but that was not from a show.
Paul LazarusHOST
27:41
Right, that was more of a popular hit, wasn't it?
Alfred SimonGUEST
27:43
That's right.
Al JolsonSOUNDBITE_SPEAKER
0:39
Well, let's warm up Oscar and get after him, huh? ¶¶ Deep in my heart, that melody will always linger.
Al JolsonSOUNDBITE_SPEAKER
1:09
Swanee,
Bing CrosbySOUNDBITE_SPEAKER
1:11
how I love you, how I love you, my dear old Swanee.
Bing CrosbySOUNDBITE_SPEAKER
1:16
The folks up north won't see me no more when I get to that Swanee shore.
Al JolsonSOUNDBITE_SPEAKER
1:28
Someday he'll come along The man I love
Oscar LevantSOUNDBITE_SPEAKER
1:34
And

Unknown podcast

George Gershwin: Bridging Jazz and Classical

Oct 11 · 1 Mention

speaker_1UNKNOWN
3:15
That kind of interaction between written pulse and improvisational energy is what later beboppers would call the swing feel, but with a jazz vocabulary.
speaker_1UNKNOWN
3:25
If we go back to his early work like Swanee, you hear a jaunty syncopated rhythm that feels more like ragtime than anything else.
speaker_1UNKNOWN
3:33
Yet he writes it with full orchestral credit.
speaker_1UNKNOWN
3:36
A swing band leader would take that same riff and stretch it over a four-beat pattern, adding a walking bass line, while the horns double the melody in tight harmony.
Patrick RankinHOST
63:06
The number would move through real songs from real eras.
Patrick RankinHOST
63:10
Swanee, Black Bottom, The Peanut Vendor.
Patrick RankinHOST
63:14
Each one marking a different stop along the way, as if the audience were flipping through the decades of her career compressed into one performance.
Patrick RankinHOST
63:24
The sequence needed new costumes, new sets, and weeks of additional shooting.
Patrick RankinHOST
63:31
They filmed Swanee for more than a week, then moved through the other numbers.
Patrick RankinHOST
63:37
By the time they were done, they had spent a full month making one more enormous showcase for Judy Garland.
Patrick RankinHOST
63:45
And with it, production on A Star is Born finally began to wind down.

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