Super 35
Film formatWikipedia
6
MENTIONS
6
EPISODES
6
PODCASTS
Search complete. 6 mentions across 6 episodes found for "Super 35".
Sep 9, 2026
Ethan McLeanHOST
Yeah
Liam BrennanHOST
... on full frame, as opposed to a 35 mil lens on, uh, Super 35.
Ethan McLeanHOST
Yeah.
Liam BrennanHOST
And I think it looks way fucking better already.
Eric PeacockHOST
This led Mann to revisit the series that he helped create.
Eric PeacockHOST
And like Collateral, which also starred Fox, most of the film was shot with the Thompson Viper film stream camera, while Super 35 is used for the high speed and underwater shots.
Eric PeacockHOST
Cinematographer Dion Beebe was also a collateral cinematographer.
Eric PeacockHOST
Sorry, I'm not going to edit this, but I don't know if you just heard, I think two cats got in a fight in the background.
Kenny McMillanHOST
They're, they're only thinking ratio.
Kenny McMillanHOST
They're like, "Can't I just cro- I can shoot the Super 35 and just crop the sides.
Kenny McMillanHOST
It's the same thing." Like, that's not the same thing.
James WhitakerGUEST
Right.
Gustav DanielssonGUEST
It was a Panavision T sen- T series anamorphic lens that was a little bit detuned by Panavision.
Gustav DanielssonGUEST
And, uh, that lens is, is built for a Super 35 sensor, meaning when we shot this on the ALEXA Mini LF, we used a larger sensor than this-
Jared LevyHOST
Mm
Gustav DanielssonGUEST
... uh, lens is built for.
Amy H. SturgisCORRESPONDENT
It was as if we got a few puzzle pieces from a puzzle we knew would be beautiful, but it certainly wasn't all put together.
Amy H. SturgisCORRESPONDENT
In September 2019, the Criterion Collection announced a super special edition Blu-ray and DVD of the 2015 4K restoration of the film from the original Super 35 millimeter camera negative.
Amy H. SturgisCORRESPONDENT
That restoration was sponsored by the Wim Wenders Foundation.
Amy H. SturgisCORRESPONDENT
This 287-minute director's cut of the film was released on December 10, 2019.
Rob LucuriaHOST
Yeah.
Gustaf DanielssonGUEST
Also, this lens is built for Super 35, which is a smaller sensor, meaning that when we shoot this on a larger sensor, we're kind of shooting outside the sweet spot of the lens, and you start getting all these-
Rob LucuriaHOST
Wow
Gustaf DanielssonGUEST
... kind of artifacts that we wanted.