Streaming media

I'm not going to say it.

Streaming live right now over everything.

And this intro is not my intro.

It is the XX.

喂，是啊。

其实都不是只是 live 的。现在，现在他们 proposal 呢，就说是任何 streaming 的 service 他都打算-

就是包括了有几个主流的-

TV Licence 的费用里面。

是的，stream，stream 一些即时的，呃 Netflix 那些不用的，那么的-

现在不用了。

啊就是它说 live TV 的 streaming。

Live TV，对了，stream，呐你 stream 呃，NHK，那么如果它有些 NHK 的 live streaming，那么你在，喂，那个日本台来的哦。是，你都要在里面看的，都要交这个，呃，TV，lic，呃，licence 的。那么它，它基本上-

You know, that's like the craziest thing when I think about it.

But I also think too, right, I mean, part of it is that that was then, right? That was physical media, right? Things have changed so much now, right? Streaming media is very different, right? I can stream content into Vietnam, have all the respective agreements without having a third party in market.

I mean, just the way that the cloud, the various processes, right? I mean, look, we can get into what's changed and what hasn't changed, but I feel like the more you get into digital streaming, you're more reliant on the technology infrastructure, but if that is mature enough in certain markets and certain areas...

you can actually operate and perform very well there without having a dedicated team on the ground.

Hello! Ahoy! Welcome to another episode of Bottom of the Stream with Adam and Nick.

My name is Adam.

My name is Nick.

Welcome back to the world famous Bottom of the Stream movie show.

That's what I meant to say.

We are on a never ending quest to find hidden gem movies at the bottom of the Netflix or Prime video

Spotify,

Podbean, Podchaser, YouTube.

It's interesting.

Streaming-

Well, how, how important is AM/FM traditional radio to you right now?

Uh, I think it's really good.

Well, Island to the

Stream, and there was another

one, too.

Yeah, but Island to the Stream is the hit.

Yeah, the fact that you can't name the other one off the top of your head tells me that Island to the Stream is the one-hit wonder.

I hate this.

It can't be a one-hit wonder.

I had it up.

It's on Prime, right? Is that where you went to watch it? It's streaming on one of them, yeah.

Streaming on one of them.

I literally sat there about to start it, and I was like, I have to be at work.

I have things to do.

Europe, a lot of Asia, I mean, they, they pay artists when songs are on the radio.

Even satellite radio, X SiriusXM, Pandora, and interactive streaming platforms pay sound recording royalties administered by SoundExchange.

Streaming radio stations, they pay sound recording royalties.

Radio's been able to get away with it.

Now, we talked about 2018, and I was on the air during the program when that happened, where the Music Modernization Act would create the mechanical licensing collective so that pre-1972 recordings received digital compensation.

Radio doesn't need to be an airplay target that is looked at as a secondary market after streaming has done so well.

Labels could go back to broadcast stations with targeted ad buys for album pre-orders, vinyl drops, arena tour on sale campaigns.

Streaming services are saturated by 120,000 new tracks uploaded every day.

This episode's ID is five seven two three zero seven, Measuring Keyhole Spacing: Why the Tool You Want Doesn't Exist.

Listen to the whole show at stream.myweirdprompts.com.

This episode was generated using artificial intelligence.

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