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Stop Making Sense

Stop Making Sense

1984 filmWikipedia

Search complete. 126 mentions across 27 episodes found for "Stop Making Sense".

Sep 11, 2026

Brian LloydPANELIST
41:28
This is a concert film.
Brian LloydPANELIST
41:30
This is in the same way that Stop Making Sense was, you know, The Last Waltz.
Brian LloydPANELIST
41:33
It's in that category.
Brian LloydPANELIST
41:35
It's very, very good.
Michael MackenzieHOST
10:09
Fantastic.
Michael MackenzieHOST
10:10
Which means, of course, we've had Stop Making Sense.
Michael MackenzieHOST
10:14
We've had American Utopia or just Utopia.
Michael MackenzieHOST
10:17
All filmed.
Christopher Saint BoothGUEST
48:18
Well, what happened was, um, we were being produced by, um, a big producer.
Christopher Saint BoothGUEST
48:25
At that time, he had just produced, um, Stop Making Sense, the, uh, David Byrne Talking Heads-
Tim DennisHOST
48:32
Yep
Christopher Saint BoothGUEST
48:33
... movie, movie.
Christopher Saint BoothGUEST
48:50
And then he joined company with Tom Hanks, was Playtone, and they released Polar Express and all those movies.
Christopher Saint BoothGUEST
48:58
So that's him.
Christopher Saint BoothGUEST
49:00
He produced us, and then after that, um, he was getting involved in Silence of the Lambs with Jonathan Demme, who Jonathan Demme also directed Stop Making Sense, so that's how they met.
Christopher Saint BoothGUEST
49:11
So we went to another producer named George Tobin.
David HartsteinGUEST
39:07
that one.
David HartsteinGUEST
39:07
The other one I'll put up there is Stop Making Sense.
David HartsteinGUEST
39:10
Oh, cool.
David HartsteinGUEST
39:12
It blows me away.
Zan RoweHOST
27:58
You also really relish showing the audience how you do it.
Zan RoweHOST
28:03
You know, you literally did that with the brilliant 1984 concert film with Jonathan Demme, Stop Making Sense, where it's you on stage with Psycho Killer, with the boombox, and then building one player after the other to show how a show, a gig-
David ByrneGUEST
28:19
Mm-hmm
Zan RoweHOST
28:19
... comes to life.
Adam KempenaarHOST
2:45
First, Oasis, Don't Look Back in Anger, the new documentary out September 11th, which is the chronicle of the band's reunion, Josh, for their 2025 tour.
Adam KempenaarHOST
2:58
While that's coming out, that's also what was the inspiration for the recent Movie Death Match episode that we had in the Film Spotting feed pitting the two greatest concert films of all time against each other, Stop Making Sense and The Last Waltz.
Adam KempenaarHOST
3:14
So we thought, "Well, what's in the archive that's relevant to these movies?" And we thought about our Last Waltz episode, talked about it for its 45th anniversary in 2023.
Adam KempenaarHOST
3:30
As part of that show, we did our top five music documentaries.
speaker_1ADVERTISER
4:28
You're talking a lot, but you're not saying anything.
Adam KempenaarHOST
4:32
Let's get into this week's topic, Josh.
Adam KempenaarHOST
4:34
With The Last Waltz and Robbie Robertson's unfortunate passing, and of course, as we mentioned, Stop Making Sense returning to theaters, we thought it was time to share our top five music documentaries.
Adam KempenaarHOST
4:46
We did consider at first maybe just doing specifically concert films like The Last Waltz, like Stop Making Sense.
EllaHOST
52:41
And then she storms off, which is fair.
EllaHOST
52:43
Stop making sense.
EllaHOST
52:44
Whatever.
EllaHOST
52:45
And then she goes and watches Stop Making Sense.
EllaHOST
52:47
And she calms down.
EllaHOST
52:48
She feels better.
Perla BatallaGUEST
58:33
It was very sweet.
Chris SlusarenkoHOST
58:34
I did like that, that's funny, it's in my notes here, whenever they had somebody leave the stage and they gave the time to see them exit, It's something that I always loved, like Stop Making Sense or The Last Waltz or things where you see, you get some time to see the space of the stage.
Chris SlusarenkoHOST
58:50
You get to see, oh, I didn't know that there was somebody back there sitting in the wing.
Chris SlusarenkoHOST
58:55
You start putting the puzzle together.
Chris KlimekHOST
7:07
Thank you, Stephen, for being here.
Chris KlimekHOST
7:09
Representing 1984's Stop Making Sense, starring Talking Heads and directed by future Academy Award winner Jonathan Demme, hailing from Los Angeles, California, she is the author of two volumes of poetry, Nights I Let the Tiger Get You and All the Emergency Type Structures.
Chris KlimekHOST
7:23
She is also a teacher and an editor with the essential online film journal Bright Wall/Dark Room, and a regular on the Bright Wall/Dark Room podcast.
Chris KlimekHOST
7:31
She is Elizabeth Cantwell.
Elizabeth CantwellGUEST
7:45
[laughs]
Chris KlimekHOST
7:46
As I...
Chris KlimekHOST
7:47
I, I know this because I read your wonderful essay for Bright Wall/Dark Room's Jonathan Demme issue about Stop Making Sense and existential philosophy called You Must Imagine Talking Heads Happy.
Chris KlimekHOST
7:57
We will, we will link to that in show notes.
Mick SmithHOST
6:38
It established that a concert film could be both entertainment and historical document that the audience's experience was as important as the performers and that technical innovation, the split screens, the careful editing, the sound mixing could enhance rather than distract from the music.
Mick SmithHOST
6:56
Every major concert film that followed, from The Last Waltz to Stop Making Sense, exists in Woodstock's shadow.
Mick SmithHOST
7:03
Directors learned that you could be artistic and documentary at the same time, that style and substance didn't have to conflict.
Mick SmithHOST
7:11
In conclusion, Woodstock succeeded both as a time capsule of a specific historical moment and as an artistic achievement that demonstrated how thoughtful filmmaking could elevate concert footage into something approaching cinema, establishing standards and techniques that define the genre for generations.

18 MINS LATER

Daniel LicusHOST
25:28
mr mike we talk about content but what about filmmaking graph how we direct tours use technical innovation to enhance music documentaries
Mick SmithHOST
25:42
This is where music documentaries become genuinely exciting as cinema rather than just as historical records.
Mick SmithHOST
25:48
Jonathan Demme's Stop Making Sense documenting Talking Heads 1983 tour is probably the gold standard for how technical mastery can elevate concert footage into art.
Mick SmithHOST
26:00
Demi makes bold choices from the opening frame.

17 more episodes mention Stop Making Sense.

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