Stomp 442

Yeah.

And Stomp 442.

Yeah, I love Stomp.

Now, Stomp is great.

Yeah

... and Stomp 442.

Yeah, I love Stomp.

Now Stomp is great.

Bush's rougher voice, the weight of songs such as Only, Room for One More, and Black Lodge, and the more mature songwriting created in Anthrax that was substantially different from the Belladonna band, but completely convincing on its own terms.

That is also why Stomp 442 in 1995...

We reviewed that one.

I'm going to get to it.

Slayer seemed like the type where if you told them a dad joke, they'd hit you with a Jägermeister bottle.

It'll make you pay for it after it breaks.

So what are your thoughts about Anthrax? Not the album, we're not there yet, but what are, you know, just the band itself? Because I don't remember, I think you were on the Stomp 442 album, but I don't think you were on the other one.

I thought I was on For All Kings.

I don't know if that's the word you used.

Even though it was fragmented, because Dan Spitz was only on the first record, and then he left, and then they did the Stomp as a four-piece, and Dimebag played a couple of bits on that Stomp 442 album, and then they got Rob Carzagio, he was in Boiler Room, and then he was in Volbeat.

Yeah.

Caggiano? I can't