Stoker

He recurred as Leonard Snart slash Captain Cold on The Flash before becoming a series regular on the spin-off Legends of Tomorrow.

He made his screenwriting debut with the 2013 film Stoker.

I hadn't realized that he wrote Stoker.

It's an excellent movie with some really brilliant monologues from the characters.

Yeah, it's his.

He has worked across every aspect of production over more than three decades, from building practical creature effects and animatronics to supervising post-production for the major studios.

His career includes work on such projects as Annabelle, The Passion of the Christ, Apocalypto, Stoker, Texas Chainsaw Massacre, The Next Generation, and his current project, a sweeping new indie genre film blending cosmic horror, Viking legend, and treasure hunting adventure.

The Relic Dragon marks the feature debut of The Relic Universe, an ambitious new storytelling franchise from writer, director, and my guest today, J.M. Logan.

Hello, are we on the air? I'm gonna just do a check.

He's the director best known for Oldboy.

He did Stoker.

He just did a new film called No Other Choice.

JSA is about two border troops from South Korea and two troops on the border in North Korea who are stationed very close to each other and as they start to cross the border and form relationships and friendships, the potential for tragic outcomes multiplies and it's about human connection over extreme separation and it's beautiful and tragic and hilarious and slapstick all at once and just really, really special.

We often do.

It's closer than Stoker and some of the others we've done.

Let's not start the Stoker argument again, right? Because it comes up far too often.

But I would disagree with you.

But please, Dan, while your thoughts run rabid.

And the characters are coming into it.

And with Al- with this movie, with Stoker, with, um- Uh, Streetcar Named Desire.

Things have happened before the story starts, and they bec- they come to light as the movie progresses.

I think it was-

Yeah.

And it's e- like I say, everything's implied.

And that's what we've s- we talked about this with Stoker, with This is Stoker, are kind of two good examples of, okay, we're taking that production code type movie, and we're doing it without the limitations of it.

And like I said, it's brutal.

It's, like, his thing now, which I'm, I'm here for.

Or writing the movie Stoker, which-

Great.

Yeah.