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Stephen Street

Stephen Street

Record producerWikipedia

Search complete. 8 mentions across 6 episodes found for "Stephen Street".

Oct 8, 2026

Chris DeMakesHOST
6:11
Come to find out, when researching, one of the Cranberries' biggest influences was the Smiths.
Chris DeMakesHOST
6:18
And Stephen Street, he produced Morrissey's debut album, Viva Hate.
Chris DeMakesHOST
6:23
So that kind of, how that all ties back in right there.
Chris DeMakesHOST
6:28
Their first big hit, Linger, peaked at number three in Ireland, reached number eight in the U.S. And again, that was the first tune that I heard from them.

19 MINS LATER

Chris FafaliosHOST
25:15
So yeah, this song fits perfectly Perfectly in that world.
Chris FafaliosHOST
25:18
And yeah, Dolores and the Cranberries might say, and I'm sure it's true that both the song itself, just being a powerful song and playing live a lot, went into the accounting of that.
Chris FafaliosHOST
25:31
But I would argue all day that Stephen Street, the producer, he was definitely referencing the popular grunge and alternative albums at the time and finding the right tones.
Chris DeMakesHOST
25:45
I would think so.
Emily DeanHOST
52:25
Yeah.
Johnny MarrGUEST
52:26
Just being me and being the guitarist and, you know, producing the records with Stephen Street and all of that.
Johnny MarrGUEST
52:31
So, uh, it was very complicated, that, s- but that's part of it, of it being too much to ask-
Emily DeanHOST
52:39
Mm-hmm
speaker_20NARRATOR
47:34
And over at the Corn Exchange in Dorchester, it's Blackwater County, pop, punk and folk from eight.
speaker_20NARRATOR
47:40
Frome's Cheese and Grain have got Mike Joyce and Stephen Street with The Queen is Dead fortieth anniversary.
speaker_20NARRATOR
47:45
And at Poole's Lighthouse, it's comedy with Simon Brodkin unleashed from seven thirty.
speaker_20NARRATOR
47:49
You can also see the Buena Bristol Social Club, Cuban-inspired music from seven forty-five.
Dean ParkerGUEST
44:27
So yeah, the process of taking what you've recorded, working with those audio tracks to have them work and sound cohesive, and then add possibly a heightened sense of realism or something that isn't real at all.
Dean ParkerGUEST
44:41
If you go and listen to anything by Stephen Street like the Smiths or the Cranberries and you really listen I find you can hear all the the real instruments in there.
Dean ParkerGUEST
44:52
I don't know how he does it because I've looked it up and it's all very standard reverbs that he uses but he creates this world around the around the musicians with with the reverb that is a little bit otherworldly he got the band to play in such a way as well and he's doing clever tricks to trigger those reverbs all part of mixing and then something like that Chris Stapleton tune basically is just a bit more of a HD polished version of what was recorded ready for being released And the room sound is maybe just enhanced a little bit.
Dean ParkerGUEST
45:28
Chris Sablin might have tailed off at the end of a line.
Tyler SorensenHOST
16:55
This was on their second and final release, Walk On, on Chrysalis Records from 1986.
Tyler SorensenHOST
17:05
This album marked 1010's only major label release, and while it didn't make much of an impact, the album is notable for its producer, that would be Stephen Street.
Tyler SorensenHOST
17:16
After producing this album for 1010, Street went on to produce major records by the Smiths, the Darudy Column, and Blurr.
Tyler SorensenHOST
17:28
All right, well, let's hear some more music from Richmond, Virginia.
Dave RowntreeGUEST
5:09
And so I've put together a book of the best of those pictures, which shows basically a bunch of spotty, fresh-faced kids doing all this kind of pop star stuff for the first time.
Dave RowntreeGUEST
5:19
First time on a tour bus, first North American tour, first time in Japan, first time in the studio with Stephen Street.
Dave RowntreeGUEST
5:25
The first time you do these things is the most exciting time.
Dave RowntreeGUEST
5:28
So it captures all of us kind of trepidation and thrills in equal measure.

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