Solange Knowles

right

because sometimes I've learned like you gotta feel it you can't run from it you can't try to mask it like Solange said you can't drink it away you can't smoke it away you can't sex it away you gotta feel it you gotta sit in it

and that's hard

and it is hard but What people don't know and don't realize is just, like, that moment that happened a couple weeks ago, that wasn't the first experience of me experiencing good.

And

I'm wondering now, today we have people like the Kendrick Lamar and others that are sort of, you know, even Solange Knowles are getting into that commentary of rap, even though they have their own style.

What do you think that, you know, because you mentioned jazz and rap.

Do you think that we'll come back around to have positive feedback messages in the fusion of jazz and rap

yeah and what about uh music videos because back to self had quite a spacey disco vibe to it yeah which is quite different to librarian shake um can you talk us through the concept behind that and is that something you are going to explore more or was that a one-off kind of thing

i think the style of back to south was like uncovering an era for me even the music video shoot the whole process was so calm and it kind of felt like oh my god this is literally the time to step into a different world which is exciting and the style aesthetics for that video was heavily influenced by Kalaila and Naomi Sharon Like the aesthetic Solange as well.

And yeah, I knew I wanted to feel ethereal and also like committed to the wig as well.

I was

yeah and what about uh music videos because back to self had quite a spacey disco vibe to it yeah which is quite different to librarian shake um can you talk us through the concept behind that and is that something you are going to explore more or was that a one-off kind of thing

i think the style of back to south was like uncovering an era for me even the music video shoot the whole process was so calm and it kind of felt like oh my god this is literally the time to step into a different world which is exciting and the style aesthetics for that video was heavily influenced by Kalaila and Naomi Sharon Like the aesthetic Solange as well.

And yeah, I knew I wanted to feel ethereal and also like committed to the wig as well.

I was

And then, like,

you know, there was a billion dollars in the elevator and some stuff went down with Solange, but they kept pushing through.

And I think when couples like that, when you know they've gone through turmoil and then they keep going, I'm like,

that's impressive.

We are askwandapod@gmail.com. That is A-S-K-W-A-N-D-A-P-O-D @gmail.com. We are all over Beyoncé's internet, through Blue Ivy's Wi-Fi, Rumi's IP address, Serv's mainframe, or maybe the other way around, I don't remember.

Jay-Z on the admin, Mama Tina in the back making gumbo, and Solange in the back on Reddi.

Like cranes in the sky.

Mm.