Shure

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Sep 21, 2026

Stacked Podcast

Fable 5 Definitively Throttled By Anthropic

Sep 21 · 2 Mentions

Nick SaraevHOST

24:20

Well, Jack is a random dude.

Nick SaraevHOST

24:23

Jack, what mic do you use? How much does it cost? Jack is using, I think it's a Shure, it's like an MV7.

Nick SaraevHOST

24:29

I think it's like a Shure MV7.

Nick SaraevHOST

24:32

I'm pretty sure it's one of these.

Nick SaraevHOST

24:35

I'm not as sure as I could be, but yeah, I'm pretty sure it's one of these.

The Ochelli Effect

Ochelli Effect 9-17-2026 Money Over Everything Thors Day

Sep 18 · 3 Mentions

Chuck OchelliHOST

33:20

And, and he supported me.

Chuck OchelliHOST

33:21

Look, the microphone that I'm speaking on the nice, you know, $400 microphone at the time for $500 microphone at the time, uh, I told people and he told people, you know, he bought it for me because he was sick of me using the Shure SM58, which I was satisfied with.

Chuck OchelliHOST

33:38

But, you know, for years I used cheap mics and then I got the SM58 and I was pleased with it.

Chuck OchelliHOST

33:44

He was complaining and saying that my voice needed the, you know, the pro mic.

Chuck OchelliHOST

33:54

I'm using the same mic he gave me about seven years ago.

Brad SchubertHOST

33:58

What brand is it?

Chuck OchelliHOST

33:59

Oh, it's a Shure microphone also.

Chuck OchelliHOST

34:00

It's an M7,

The 500 with Josh Adam Meyers

Episode 90 - Stevie Wonder - Talking Book - Robert Margouleff & Mike Finoia

Sep 16 · 1 Mention

Top 5%

Josh Adam MeyersHOST

49:33

Thank you.

Josh Adam MeyersHOST

49:34

My studio, I'm using a Shure as well.

Josh Adam MeyersHOST

49:36

Yeah, I love the Shures.

Robert MargouleffGUEST

49:38

It's a good sounding, the SM-

Josh Adam MeyersHOST

49:39

Studio microphone

The Yard

Ep. 267 - The Pokemon Drama

Sep 9 · 1 Mention

Top 50%

SlimeHOST

8:52

... for the right to have this day off-

NickHOST

8:54

To hold a Shure SM7B

SlimeHOST

8:55

... that's-

LudwigHOST

8:55

When Joe Rogan fought the left for the right to be able to podcast.

The Worship Keys Podcast

Tips for Live Recordings & Mixing in Pro Tools with Garrett Miller

Sep 9 · 4 Mentions

Garrett MillerGUEST

12:28

So there's just no need.

Garrett MillerGUEST

12:30

But it looks like I actually, on this one, because I'd used all of my inputs, I've got a Shure, it's an MV88.

Garrett MillerGUEST

12:41

It's a little lightning, like iPhone stereo mic that I think I... put it either into my phone or possibly an iPad.

Garrett MillerGUEST

12:53

And I think I put it up in the balcony and just recorded the room from up there, just from the iPhone.

17 MINS LATER

Garrett MillerGUEST

30:00

Maybe not two failures, or maybe not, you know, if the power goes out in the building, you're not going to survive long.

Garrett MillerGUEST

30:06

I do have a UPS, like, uninterruptible power supply that will keep me floating for, you know, a few minutes if the power did go out in the building, but, you know, the thing would stop.

Garrett MillerGUEST

30:18

The event would stop at that point, but... um you know so i do 64 tracks of dante to record to the two different computers um and like 64 tracks seems like a lot compared to when i was starting and i was doing 24 but i've learned a lot of lessons over the years of doing these and now i always record a kick in and a kick out not as much for the tonal differences which there are some and there's benefits of doing that um If you don't know much about recording or live sound, whatever, like a kick in mic is literally a microphone in this case of Shure Beta 91 inside the kick drum closer to the beater where the drum, the beater hits the drum and makes it go boom.

Garrett MillerGUEST

31:08

But closer to the beater, you get the snappier attack.

Bean and Superbad

JAMPACKED | S10E19 | Bean and Superbad

Sep 9 · 2 Mentions

speaker_3ADVERTISER

38:34

Not the one with the blue thing on it.

BeanHOST

38:35

Frank has a nice Shure.

BeanHOST

38:37

Now- What, w-who- Now we all have a nice...

BeanHOST

38:39

Oh, he's talk- well, you- Oh.

BeanHOST

38:40

Yeah, you're, he's actually in your way.

BeanHOST

38:41

No, it's okay.

BeanHOST

38:42

Um, so every- I didn't see the blue ... we all have, we all have the Shures-

speaker_3ADVERTISER

38:45

They don't-

Cincy Gig Chronicles - Life On And Off The Stage

The Catfish - Finale part 4

Sep 9 · 1 Mention

Lee DixonHOST

17:00

It's got, uh, some wireless mics in it.

Lee DixonHOST

17:02

It's got a- in-ears, our Shure, uh, PSM300 in-ear units, three or four of those in there.

Lee DixonHOST

17:10

It's got a splitter snake.

Lee DixonHOST

17:11

And what that allows you to do as a band is you can roll into the gig, and I'm gonna have to backtrack on this too, but you can roll into the gig and give your f- your front of house sound person, say you're playing a festival or something-

Unknown podcast

From Broadcast Booths to Bedroom Studios: How the Shure SM7B Became a Production Staple

Sep 8 · 7 Mentions

speaker_0UNKNOWN

0:00

[upbeat music] Welcome to the Music Production Podcast.

speaker_0UNKNOWN

0:11

This show is produced by Soundstock with over eleven million full tracks, music loops, sound effects, and music samples at soundstock.com. Today, we're diving into the Shure SM7B's journey from broadcast booths to bedroom studios, exploring why that mic still rules vocals, guitars, and live mixes.

speaker_0UNKNOWN

0:30

Now let's dive into the SM7B's signal chain and real-world usage.

speaker_0UNKNOWN

0:35

The most interesting thing about the Shure SM7B is that it was designed in a studio for radio, but turned out to be the go-to mic for voices and guitars, not just news.

speaker_0UNKNOWN

0:46

You see it as a dynamic mic with a very low sensitivity compared to a condenser, but that makes it tough for quiet sources unless you push its gain up or use a preamp.

speaker_0UNKNOWN

0:57

That low sensitivity is actually the first hint of why people have to think carefully about microphone placement when they grab an SM7B at home instead of just throwing it in the box.

speaker_0UNKNOWN

1:13

You get a rich low end when you sit only four to six inches away, and that can make or break a vocal performance.

speaker_0UNKNOWN

1:20

If you're too close though, the mid-high range gets overemphasized until the microphone saturates, so you often have to find that sweet spot with your pop filter and distance.

Unknown podcast

Raw and Raucous: The Production Secrets Behind Black Metal's Distinct Aesthetic

Sep 7 · 1 Mention

TonyHOST

2:12

They're intentional fingerprints indicating the lack of isolation, which signals authenticity and echoes real live conditions rather than studio polish.

TonyHOST

2:22

On vocals, most black metal producers prefer an unprocessed, almost spoken screaming approach, sometimes mic lead with a dynamic like a Shure SM-57 in a single mic placement that captures as much room ambience as possible.

TonyHOST

2:37

That technique leaves the scream sounding distant and layered, as if the vocalist is whispering across a vast cathedral floor.

TonyHOST

2:44

It's not distortion for its own sake, but a tool for setting distance and texture.

Pick A Disc

bbno$: bbno$ with Kaley Roberts

Sep 7 · 1 Mention

#58 GB

Matt LathamHOST

6:54

Exactly, yes.

Matt LathamHOST

6:54

I'm now onto the Shure.

Matt LathamHOST

6:55

I can't remember which model it is, but, uh, I think it's the MV7, I think.

Matt LathamHOST

6:59

But, um, anyway, this isn't Pick a Microphone, this is Pick a Disc.

4 more episodes mention Shure.

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Shure

Sep 21, 2026

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