Scott Travis

Downing even talks about it in his memoir, in his book, about how You know, they could tell Painkiller was definitely a very fortified Judas Priest sound.

Like the riffs, you know, they got Scott Travis on drums.

Everything really went up because they knew what was coming up behind Slayer, Megadeth, Testament, you know, Anthrax.

They knew, you know, there was a hot new, you know... blazing trail on their, on their heels, you know, which was us, you know? So, um, you know, you had talked in, in, uh, I think maybe, I don't know if it was when we were on the podcast before or something, but you had mentioned, you talked about when, when you, you had kind of a stripped down stage set to Rob Alfred, Rob wrote your, your, what are your forwards, Rob? And you went to Rob and you said, Hey man, you know, Megan, that's not letting us use our show or whatever.

And sticking with Priest, you've got Painkiller.

Everything they're going to do on this record that is interesting and gives you Scott Travis and gives you the Chris Tangerides production and gives you Rob Halford screaming his head off is all done and over with on this classic, classic title track.

You don't really need the rest of the album in a big way.

ACDC, for those about to rock, Starts with the one famous song from the album and the rest of the songs, everybody kind of grumbles about.

So the album after the big change, they, they, um, They kind of decide to, well, there's more changes, obviously, that happen.

We get Chris Tangerides producing, and we get Scott Travis coming into the band.

But essentially, it's a more live and more human and just more well-produced version of Ram It Down.

So I think they decide that they like the direction on Ram It Down, and then they just give us the same songs all over again on Painkiller, but a better version of it.

I don't know.

Scott Travis and whoever else, you know, Davey Rimmer from Uriah heap as the bass player.

And, um, who's the other one be what Andy sneak or whatever, or no Faulkner be Richie

Faulkner.

And sticking with Priest, you've got Painkiller.

Um, you know, everything they're going to do on this record that is interesting and gives you Scott Travis and gives you the Chris Tangerides production and gives you Rob Halford screaming his head off, uh, is all done and over with on this classic, classic title track.

Um, you don't really need the rest of the album in a, in a big way.

Um, ACDC for those about to rock.

I'm talking about drummers.

Oh, you're thinking of Scott Travis?

Yeah, I guess I must have been thinking of Scott Travis.

Yeah,

no, the bass player.

Well, there's, there's a, there's more changes obviously that happen.

We get Chris Tangredi's producing, and we get Scott Travis coming into the band.

But essentially, it's a, it's a more live and more human and, and just more, and well-produced version of Ram It Down.

So I think they decide that they like the direction on Ram It Down, and then they just give us the same songs all over again on Painkiller, but a better version of them.

He said, I had enough.

So now it's just, I think, listening to Richie Faulkner, Rob, Scott Travis, and a studio, a second guitar, and they're going to bring another bass

player

from I don't know