Scott McDaniel

Tone has it here.

Scott McDaniel has it in issue three.

Jeff Johnson has it in issue four.

So I'm trying to, just like I would do with an independent show, where we bring in a TNA wrestler or a Mid-South wrestler or whatever.

And I think that's what our life really looked like is that we came in with different artists.

You've got Scott McDaniel.

You've got Mel Ruby.

You've got Ivan Nunes and Lee Duhigg.

That's a good one.

And it was kind of interesting because there's a lot of it's it deals with time travel.

There's and Scott McDaniel, the artist and I, he's an engineer too.

And we went through, we've got books and books of just equations and this and that going through it.

I just think it's serviced because Dick is a dynamic character.

And everyone from Scott McDaniel, Bruno Redondo, who can actually, you know, follow through on what the imaginative, you know, entire issue is one page.

uh, you know, in the imagination and, um, of the sequential art as Bruno Redondo.

So, um, I just, I think it, I think it worked for, for what, um, he was, he was, uh, assigned.

Exactly.

They updated the art style to be more akin to the success that Scott McDaniel had on Nightwing or Kelly Puckett had on Batgirl.

And so the Batman titles were made a bit more manga-esque and a bit more kid-friendly.

And the stories had no staying power.