Saturday Night Wrist

... kind of surprised.

I mean, and I tell you what, after that it's Cherry Waves from, um, from Saturday Night Wrist.

I, I don't really know what's going on here.

I mean, certainly I think in terms of i- i- were I to go back, like you say, if you'd have asked Deftones fans back in the day, this and Change (In the House of Flies) were certainly their two biggest, like, you, if you were ever gonna hear them on the radio, and you didn't really, but if you were, you'd hear one of those two songs.

I think it was a combination of being outdoors.

He appeared to have some issues he now plays with like a audio board in front of him where he can manual control effects on his vocals I think that wasn't working particularly well so there was a couple of audio issues there I also think that didn't appear to be an issue for the previous band and I have seen Deftones that's the fourth time I've seen Deftones now and the first time I saw them was on the White Pony tour you were there and he was very pitchy there and that's because his vocals had loads of effects on them I think it's weird some of the early stuff was fine like some of the around the first stuff perfect some of the white pony stuff Some of the Saturday night wrist stuff was very pitchy, like Cherry Waves and stuff, not as great as I wanted.

New stuff sounded fine, though.

So the stuff of Private Music sounded great.

It's a great album.

Self-titled was a great album.

But they play a lot more of Saturday Night Wrist, which I've said before, when that came out, I was nonplussed about it.

It has grown on me quite a bit.

Um, I mean, like after two albums, there were not ...

They weren't universally loved, the self-titled and Saturday Night Wrist.

Um-

No, Saturday Night Wrist used to get caned.

Did.

It did, mate.