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Sampha

Sampha

British singer-songwriter and musicianWikipedia

Search complete. 39 mentions across 17 episodes found for "Sampha".

Sep 27, 2026

RosettaHOST
73:53
Subtract.
RosettaHOST
73:54
Featuring Sampha, bit of an older one.
RosettaHOST
73:58
Wonder where we land.
RosettaHOST
74:02
Before this, we heard from Erykah Badu and the Alchemist with Crossfade.
RosettaHOST
73:53
Subtract.
RosettaHOST
73:54
Featuring Sampha, bit of an older one.
RosettaHOST
73:58
Wonder where we land.
RosettaHOST
74:02
Before this, we heard from Erykah Badu and the Alchemist with Crossfade.
WalloGUEST
26:01
Process.
WalloGUEST
26:03
Sampha.
Ahmir ThompsonHOST
26:05
What is it about that album that touched you?
WalloGUEST
26:06
I first got home from prison, right? And I used to walk Broad Street all the time.
Ahmir ThompsonHOST
28:15
Uh-huh.
WalloGUEST
28:15
I'm like, "Whoa." I go crazy, right? So, and I'm a, I'm an artist, so I'm like, I'm deep.
WalloGUEST
28:20
So anybody I would run into that'd be, like, a supporter of what I got going and they be from London, I'd be like, "Yo, you know Sampha?" They'd be like, "Yo, I be seeing him on tour." I'm like, "Yo, tell him that I'm looking for him," right? Like-
Ahmir ThompsonHOST
28:29
[laughs]
Joe JacksonGUEST
4:24
So Khalil Joseph is the kind of filmmaker to go to if you're kind of working in kind of the Afro-diasporic kind of space at the moment.
Joe JacksonGUEST
4:33
He's kind of collaborated with FKA Twigs, Flying Lotus, Sampha, Shabazz Palaces, Kenzo and O2 as well, so businesses.
Joe JacksonGUEST
4:41
He's kind of directed films, music videos, and advertisements across Africa, America, and Europe.
Joe JacksonGUEST
4:46
I think his kind of disruptive style, so it frequently merges visual representations of transcontinental experiences with those kind of counterculture energies of Afro-diasporic music and challenges certain Eurocentric biases underpinning Western media.

43 MINS LATER

Joe JacksonGUEST
47:54
So what I've tried to do is take the idea of steril modernism, again, uh, it foregrounds music and sound as being really influential, and so that's what I'm trying to do as well, so say it's still really important.
Joe JacksonGUEST
48:04
But then applying it to Killer of Joseph's works.
Joe JacksonGUEST
48:06
So, uh, in process, for example, so that's actually shot in, uh, Morden and Freetown in Sidn- in London and then Mor- uh, Freetown in Sierra Leone to kinda capture, um, Sampha, the musician's kinda concurrent affiliation to, you know, this double consciousness between Sierra Leone and, and the UK.
Joe JacksonGUEST
48:26
Um, and beautiful, uh, like, music as well.
Joe JacksonGUEST
2:10
So Kilo Joseph is the kind of filmmaker to go to if you're kind of working in kind of the Afro-diasporic kind of space at the moment.
Joe JacksonGUEST
2:18
He's kind of collaborated with FKA Twigs, Flying Lotus, Sampha, Shabazz Palaces, Kenzo and O2 as well, so businesses.
Joe JacksonGUEST
2:26
He's kind of directed films, music videos, and advertisements across Africa, America, and Europe.
Joe JacksonGUEST
2:32
I think his kind of disruptive style, so it frequently merges visual representations of transcontinental experiences with those kind of counterculture energies of Afro-Diasporic music, and challenges certain Eurocentric biases underpinning Western media.

43 MINS LATER

Joe JacksonGUEST
45:38
yeah, density of reference, I guess,
Gummo ClareHOST
45:41
that maps this audiovisual Atlantic.
Gummo ClareHOST
45:43
And I think that point on process, on Sampha's project, really is
Joe JacksonGUEST
45:49
a
Joe JacksonGUEST
4:40
So Kilo Joseph is the kind of filmmaker to go to if you're kind of working in kind of the Afro-diasporic kind of space at the moment.
Joe JacksonGUEST
4:48
He's kind of collaborated with FKA Twigs, Flying Lotus, Sampha, Shabazz Palaces, Kenzo and O2 as well, so businesses.
Joe JacksonGUEST
4:56
He's kind of directed films, music videos, and advertisements across Africa, America, and Europe.
Joe JacksonGUEST
5:01
I think his kind of disruptive style, so it frequently merges visual representations of transcontinental experiences with those kind of counterculture energies of Afro-Diaspora music and challenges certain Eurocentric biases underpinning Western media.

43 MINS LATER

Joe JacksonGUEST
48:16
So what I've tried to do is take the idea of Stereo-Modernism, again, it foregrounds music and sound as being really influential, and so that's what I'm trying to do as well, so it's still really important.
Joe JacksonGUEST
48:26
but then applying it to Khalil Joseph's works.
Joe JacksonGUEST
48:28
So In Process, for example, so that's actually shot in Morden and Freetown in London and then Freetown in Sierra Leone to kind of capture Sampha, the musician's kind of concurrent affiliation to this double consciousness between Sierra Leone and the UK.
Joe JacksonGUEST
48:49
And beautiful music as well.
Joe JacksonGUEST
4:46
Cool, yeah, so Kilo Joseph is the kind of filmmaker to go to if you're kind of working in kind of the Afro-diasporic kind of space at the moment.
Joe JacksonGUEST
4:55
He's kind of collaborated with FKA Twigs, Flying Lotus, Sampha, Shabazz Palaces, Kenzo and O2 as well, so businesses.
Joe JacksonGUEST
5:03
He's kind of directed films, music videos, and advertisements across Africa, America, and Europe.
Joe JacksonGUEST
5:08
I think his kind of disruptive style, so it frequently merges visual representations of transcontinental experiences with those kind of counterculture energies of Afro-Diaspora music, and challenges certain Eurocentric biases underpinning Western media.

44 MINS LATER

Joe JacksonGUEST
49:43
So what I've tried to do is take the idea of Stereo-Modernism, again it foregrounds music and sound as being really influential, and so that's what I'm trying to do as well, so it's still really important.
Joe JacksonGUEST
49:53
but then applying it to Khalil Joseph's works.
Joe JacksonGUEST
49:55
So in Process, for example, so that's actually shot in Morden and Freetown in London and then Freetown in Sierra Leone to kind of capture Sampha, the musician's kind of concurrent affiliation to this double consciousness between Sierra Leone and the UK.
Joe JacksonGUEST
50:16
And beautiful music as well.
Joe JacksonGUEST
4:07
So Kilo Joseph is the kind of filmmaker to go to if you're kind of working in kind of the Afro-Diasporic kind of space at the moment.
Joe JacksonGUEST
4:16
He's kind of collaborated with FKA Twigs, Flying Lotus, Sampha, Shabazz Palaces, Kenzo and O2 as well, so businesses.
Joe JacksonGUEST
4:24
He's kind of directed films, music videos, and advertisements across Africa, America, and Europe.
Joe JacksonGUEST
4:29
I think his kind of disruptive style, so it frequently merges visual representations of transcontinental experiences with those kind of counterculture energies of Afro-Diaspora music and challenges certain Eurocentric biases underpinning Western media.

47 MINS LATER

Joe JacksonGUEST
51:31
yeah, density of reference, I guess,
Gum O'ClaireHOST
51:34
that maps this audiovisual Atlantic.
Gum O'ClaireHOST
51:37
And I think that point on process, on Sampha's project,
Joe JacksonGUEST
51:42
It
Tommy SandhuHOST
19:16
Yeah.
Tommy SandhuHOST
19:16
What was the issue? The issue was Sampha, the singer, came out.
Tommy SandhuHOST
19:20
Santa.
Tommy SandhuHOST
19:21
Not Santa.
Tommy SandhuHOST
19:22
Santa came out, like, ho, ho, ho, yeah, with Jay-Z.
Tommy SandhuHOST
19:25
No, Sampha, the singer, came out, and...
Tommy SandhuHOST
19:27
You're doing that, can't hear anything.
Tommy SandhuHOST
19:29
I filmed it.
Mr DrewHOST
27:11
A good moment.
Mr DrewHOST
27:15
Now, next day, Dave and Sampha will be on stage.
Mr DrewHOST
27:22
Oh, and also, that first night, you know who else came out?
Miss LouHOST
27:26
Yeah.

7 more episodes mention Sampha.

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