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Royal College of Art

Royal College of Art

College in London, EnglandWikipedia

Search complete. 40 mentions across 32 episodes found for "Royal College of Art".

Sep 10, 2026

Paul SmithGUEST
48:43
She looked amazing because she made all her own clothes, and the cut and shape and the quality.
Paul SmithGUEST
48:50
And she had studied at the Royal College of Art as quite a young student at a very interesting time that sort of crossed over with the Hockney, Peter Blake era.
Paul SmithGUEST
49:01
Uh, not at exactly the same time, but ei- either side of her.
Paul SmithGUEST
49:05
And, and, um, the interesting thing, they, they studied couture clothes, which was, which i- anybody who doesn't know that, what that is, is it's really understanding about how things are made, the understanding of shape, cut, uh, balance, proportion, uh, quality.
Celia JoiceyGUEST
16:15
So that immediacy and for artists...
Celia JoiceyGUEST
16:20
There are histories, so tapestry existed at the Royal College of Art for a long time at Edinburgh College of Art, and we've encountered painters who were at art schools seeing what the tapestry weavers were creating and being intrigued.
Celia JoiceyGUEST
16:35
And I think Claire will no doubt speak to it, but one of the interesting things is scale.
Celia JoiceyGUEST
16:40
It's an ability for an artist to extend their practice.
Chris ConnorsGUEST
22:14
And I left.
Chris ConnorsGUEST
22:15
And at the same time when I left, that's when I met my design partners from Royal College of Art.
Chris ConnorsGUEST
22:20
And we formed our label, our design and fashion label.
Chris ConnorsGUEST
22:23
And then I went into this whole universe of aesthetic and design.
AmeliaHOST
0:07
Poppy Levinson is a designer, researcher, and disability activist working across the creative industries.
AmeliaHOST
0:13
She applies her lived experience as a blind woman to the world of architecture and design, and she's recently finished her master's in architecture at the Royal College of Art, and become the director of the Disordinary Architecture Project.
AmeliaHOST
0:26
She's here today to tell us about her passion for architecture and her career.
AmeliaHOST
0:30
Hi, Poppy.
Anna Fernsten NilénHOST
1:11
Her works often use very familiar materials, carpets, concrete, ceramics, metal, but we arrange them into environments that can feel both strangely familiar and slightly unsettling.
Anna Fernsten NilénHOST
1:22
Mata studied at the Fynska Kunstakademien here in Denmark, the University of Texas at Austin, and the Royal College of Art in London, where she received her MFA in sculpture in 2015.
Anna Fernsten NilénHOST
1:34
In 2023, she completed a post-master program focused on art in public spaces here in Denmark.
Anna Fernsten NilénHOST
1:42
And alongside her studio practice, she works with public commissions and teaching.
Martha HviidGUEST
6:02
I want to go to an English speaking place and like a really good school.
Martha HviidGUEST
6:08
And I didn't actually enjoy living in the States at the time.
Martha HviidGUEST
6:13
So I applied for a couple of schools in London and got in and I ended up choosing the Royal College of Art, which was the best choice.
Martha HviidGUEST
6:20
I loved it.
Super Vox

Super Vox

Stine Deja, Artist

Sep 8 · 2 Mentions

Anna Fernsten NilénHOST
0:54
You're working across sculpture and video, installation, sound, 3D animation, and Stine creates this immersive, fantastic world, often seductive worlds where technology, the human body, and nature collide.
Anna Fernsten NilénHOST
1:06
First studied interaction design, and that means that you're looking at how people interact with technology and digital products, at Kolding School of Design before moving to London to the Royal College of Art.
Anna Fernsten NilénHOST
1:21
Her work has been exhibited internationally at the ARKEN, SMK i Trondheim, Esbjerg Kunstmuseum, also in London, New York, and beyond.
Anna Fernsten NilénHOST
1:31
I think Russia as well.

11 MINS LATER

Stine DejaGUEST
12:20
Um, and I think, like, we met, um, actually first time in the design school of Kolding, and then we both moved to, uh, London, but we weren't actually, like, close friends or anything in, in Kolding.
Stine DejaGUEST
12:34
Uh, we never started any projects there.
Stine DejaGUEST
12:36
It wasn't until we were both done with the Royal College of Art that she reached out to me, uh, and then we met up in a cafe in Hackney, and we talked about this potential collaboration we could try, and she'd brought, like, these small models of some, like, skin moving.
Stine DejaGUEST
12:53
And I was thinking, "Okay, I'll go home and think about that," and then it was like a, a ping-pong.
speaker_0HOST
1:03
First, fashion and material.
speaker_0HOST
1:06
A Royal College of Art graduate called Oliver Stiff has been making sculptural furniture from Vivienne Westwood deadstock fabrics.
speaker_0HOST
1:16
The hermal chair, the socialite chair, pieces that carry the language of couture into furniture form.
speaker_0HOST
1:24
This is not upcycling as a PR move.
Deborah Frances-WhiteHOST
5:04
Her work challenges the male gaze, promoting instead an unapologetic, humorous, and at times grotesque femininity.
Deborah Frances-WhiteHOST
5:15
She received an M.A. in sculpture from the Royal College of Art, London.
Deborah Frances-WhiteHOST
5:18
She was the recipient of the Sky Arts Visual Art Award in 2024, the Henry Moore Foundation Artist Award in 2020, and many other awards.
Deborah Frances-WhiteHOST
5:27
If I read them all out, she would think she was dead and that she was listening.
Chloe SoGUEST
5:29
But then I decided that I was really early in my career and I wanted to build again and explore the design and making side of things.
Chloe SoGUEST
5:35
So then I came over to the UK to do this master's in innovation design engineering, the dual degree between Imperial and the Royal College of Art.
Chloe SoGUEST
5:42
And so that's where I continued to explore novel materials, sustainability, circularity concepts.
Chloe SoGUEST
5:49
And through our final year group project, we developed Pulpatronics.

48 MINS LATER

Mili TharakanHOST
54:08
How much does having these names attached to Popatronics actually change what's possible and what is the leverage they give you?
Chloe SoGUEST
54:16
Yeah, definitely.
Chloe SoGUEST
54:17
So I think for us, like, again, we've been very lucky that, you know, we're not a typical uni spin out, you know, we own all the IP, you know, Imperial Royal College of Art, they don't own anything.
Chloe SoGUEST
54:29
But again, because their enterprise networks are so strong, we've been able to actually leverage that.
Nick WatsonGUEST
5:52
I wanted to design cars.
Nick WatsonGUEST
5:53
I wanted to go to the Royal College of Art in London.
Nick WatsonGUEST
5:56
So I thought, how do I get there? You obviously need a great foundation.
Nick WatsonGUEST
5:59
So I started to look at schools in France.

22 more episodes mention Royal College of Art.

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