Rose Glass

It is a very different big ending, but yeah.

And funnily enough, that director's, Rose Glass, I'm sure has directed that.

She did.

Saint Maud which is kind of like a slow burn horror and then that doesn't go quite as big as this but it

Uh, so yeah, he, he's, he, he's done some really fascinating films over the years, and it's like...

And his, his last film score that's listed is Love Lies Bleeding, which was fantastic for Rose Glass' film.

Um, but yeah, he...

No, he, he's an exciting composer, and I, I'm always, whenever I see his nu- his name on a, uh, film, I'm also always curious to see how it's going to do, what it's gonna sound like.

And, you know, there's directors like...

Rangano Neone and Rose Glass and Harry Leighton and Akinola Davies Jr. and Molly Manning Walker.

I mean, the list just goes on and on.

So I, I really think the, the kind of, it's the level of confidence.

Now we have Zach Kreger.

Rose Glass is in there.

There's a lot of great filmmakers of this decade, but Kreger is, like, now established himself as... you know, maybe the most important one to the box office.

Yeah.

Yeah.

And now D'Acosta.

And like I've said before, like, I love Rose Glass.

But, like, there's only a few filmmakers who can... who can create that tonal blend of comedy and horror and sit in it for 90 minutes straight and actually execute on that, you know? We'll be back very soon, I think, with some kind of conversation next week on loosely about primetime with Robert Pattinson because I'm excited for that movie and it looks fucking phenomenal.