Roger Taylor

[laughs]

... with, uh, Fred singing, Brian playing guitar, John playing some bass, and Roger Taylor, I think he's gonna do some drumming on this one, as far as I can tell here.

Recorded in Rockfield Studios, Monmouth, Wales in July '74, and mixed in Trident in September of '74.

Queen and Roy Thomas Baker producing.

Well, I think if he keeps trying, if you just like, like, keep at it, don't, don't give up, say, if you ...

Let's say you get 25, 30 years in the biz, then that's the time to push even harder.

[laughs] He rocks up, I guess, um, Roger Taylor played a solo gig at The Roundhouse on-

I saw that

promiscuous females.

Of course, having a woman who is a virgin, which is why in many cultures you have to show the bloody sheet after the wedding night when the hymen breaks, because that way he knows for sure that the child is his, which is why you take a virgin and you take her on a honeymoon and you bang her like Roger Taylor on a gong at the end of Bohemian Rhapsody, and you have a lot of sex with her, and you fill her full of your seed, and she's a virgin beforehand, and that way you know that the child is yours, and then once the child is yours, the first child is yours, then the odds of her cheating on you after she's, you know, had a baby, she's breastfeeding, which means it's much less likely for her to conceive.

So the children are yours, and Those children who have stable fatherly investment, again, prior to the welfare state and all this modern nonsense, but children who have stable and dedicated parental investment and particularly paternal investment, right? It's mama's baby, it's daddy's maybe.

And so those children where the father knows that they are the father, that he's the father, he's going to invest a lot more.

Closing up with Adele from her first album, Nineteen, from two thousand and eight with "Right As Rain," and The Pretenders live at the Santa Monica Civic Center in nineteen eighty-one covering Jackie Wilson's spectacular track, "Your Love Keeps Lifting Me Higher and Higher." There was Oingo Boingo going live with the Fab's "I Am the Walrus," and from last year, a rocker in Church and State from Brandi Carlile.

There was Queen drummer Roger Taylor, and he has a new one out called Violence Insane in a Beautiful World, and he's right on, on the track "Don't Photograph Food." And we started with the brand-new reissue of Queen's second record with the opening tracks in their twenty twenty-six remix, "Procession," "Father to Son," and "White Queen." And this one is Pig of the Pack, The Best Radio You Have Never Heard, volume five forty-one for October first, twenty twenty-six.

And if you are loving the show, let us and your friends know about it.

This is easy if you stop by our page on Facebook and share the show and leave a comment, or by leaving a comment on the webpage at bestradiopodcast.com. We love hearing from you, so please don't be shy, which I won't be either as we serve up the new one from Peter Gabriel.

She would go more in a metal direction.

Sandy West was modeling herself after Roger Taylor of Queen, drummer of Queen.

And Jackie Fox modeled herself after Gene Simmons.

That was her favorite.

death, wasn't he, Brian? Death and love.

Whilst Roger Taylor used the line, it's a kind of magic as the basis for the end title song.

In 1985, this is where we start off.

We see a wrestling match at Madison Square Garden.

Agreed.

However, I remember Roger Taylor, he said when he got asked what his favorite Queen album is, and he said, maybe Sheer Heart Attack.

And I was like, you know what? In a way, he's right, in my opinion, because...

And even Brian May, you know, after Queen 2, he said, like, we already kind of found pretty much our, you know, thing there.

And also Roger Taylor said on a separate interview as well that Sheer Heart Attack is a big leap forward from Queen 2, even though I love Queen 2 and so does the band, I guess.

But the diversity of Sheer Heart Attack and the amount of songs, the amount of intricacy that is featured is mind-blowing.

It