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Robert W. Chambers

Robert W. Chambers

American artistWikipedia

Search complete. 8 mentions across 5 episodes found for "Robert W. Chambers".

Sep 25, 2026

Addison AndersonNARRATOR
1:15
But they were largely popularized by a single author, one whose name has become an adjective for the particular type of terror he inspired.
Addison AndersonNARRATOR
1:24
Born in Providence, Rhode Island in 1890, Howard Phillips Lovecraft grew up admiring the Gothic horror stories written by Edgar Allan Poe and Robert Chambers.
Addison AndersonNARRATOR
1:34
But by the time he began writing in 1917, World War I had cast a long shadow over the arts.
Addison AndersonNARRATOR
1:41
people had seen real horrors and were no longer frightened of fantastical folklore.
Mike HillHOST
15:32
Like he mentioned him in a, you know, a couple of interviews I heard.
Mike HillHOST
15:36
And of course, you know, Lovecraft, all that stuff has to like, you know, Robert Chambers, like the King in Yellow, like all that stuff has to come together.
Mike HillHOST
15:44
And it just, there isn't that sort of backstory or mythology to something like Lanterns, like which doesn't detract from it.
Mike HillHOST
15:51
I just think that the PR machine, was a little bit out of line by using that comparison.
MartyHOST
25:26
But the other thing is this, as you were saying, the fiction becoming reality sort of s- sort of thing that's sometimes called hyperstition.
MartyHOST
25:34
I mean, in terms of the first point, think about The Yellow King, Robert Chambers.
MartyHOST
25:40
If you read it, you go nuts or whatever.
MartyHOST
25:42
And so-
MartyHOST
25:46
You, you f- find out something that you shouldn't find out or know and it just drives you insane.
MartyHOST
25:52
Uh, but the other thing is that, like, the book becomes a part of reality, so fiction becomes reality.
MartyHOST
25:57
So this was a big theme for H.P. Lovecraft, and he knew about Robert Chambers and, uh, said that he, you know, uh, modeled, uh, you know, some of his stories on The Yellow King's ideas.
MartyHOST
26:10
Uh, even though The Yellow King is not really all that well executed of a book.
Carol GyzanderGUEST
20:26
Yeah.
Carol GyzanderGUEST
20:28
There's one of the things I like to look at, you know, with all of these last century authors in the previous century, you know, Robert Chambers and Lovecraft, most of the stories, because of the time period in which they were writing, they're male-centered.
Carol GyzanderGUEST
20:41
They're talking about the male as the main character and the male as the one facing the cosmic world.
Carol GyzanderGUEST
20:46
the horror or the dread or whatever, not every single story.
Carol GyzanderGUEST
20:50
But I like what's going on in current times where we're doing a little bit more focus on seeing a female perspective.
Carol GyzanderGUEST
20:58
That's one of the things I did with my story based on Robert Chambers.
Carol GyzanderGUEST
21:02
And I have a female protagonist in this and other ones in Ellen's anthology as well.
Carol GyzanderGUEST
21:06
I think that's broadening the appeal and the relevance to people.
speaker_2NARRATOR
34:53
If all the rest of the words in this sentence were made ten times as large as they are, and "did" and "thought" were kept at their present size, they would still be emphatic because different.
speaker_2NARRATOR
35:06
Take the following from Robert Chambers' novel, The Business of Life.
speaker_2NARRATOR
35:10
The words "you," "had," "would" are all emphatic because they have been made different.
speaker_2NARRATOR
35:18
"He looked at her in angry astonishment.

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