Rick Carter

[laughs]

Um, but even like j- even just the Pre-Crime itself, like just the whole thing that, uh, I think it was Rick Carter, um, production designed it.

But like, just like, the temple is amazing, and then the way that it's like carving these balls that, that come down these chutes.

Like, it's really visually-

And, um, I asked...

I was, I interviewed Rick Carter, the production designer for AI, and he said, "Where do you think we are now in the timeline of the film?" And I, I didn't really know how to answer that.

And he said, "I think we're at the flesh fair stage, where we recognize s- this has gotten out of hand and we're trying to stop it, but it's sort of, uh, futile to, to stop what's happening in terms of the runaway, uh, progress or evolution or whatever of, of artificial intelligence." Um, so I, I mean, certainly to me the most interesting things about the film are its more mythical, philosophical, human- Uh, theological questions and examinations, which are timeless.

Um, but certainly there's a lot, there's a lot going on today that the, the film speaks to.