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Resmaa Menakem

Resmaa Menakem

Author and psychotherapistWikipedia

Search complete. 59 mentions across 10 episodes found for "Resmaa Menakem".

Sep 16, 2026

Nina MoiniHOST
46:33
It's showing now as the opening production of Penumbra Theatre's 50th anniversary season.
Nina MoiniHOST
46:38
Resmaa Menakem joins me now in the studio.
Nina MoiniHOST
46:40
Welcome to the program.
Nina MoiniHOST
46:41
Thank you so much for being here.
Nina MoiniHOST
1:19
It's showing now as the opening production of Penumbra Theatre's 50th anniversary season.
Nina MoiniHOST
1:24
Resmaa Menakem joins me now in the studio.
Nina MoiniHOST
1:26
Welcome to the program.
Nina MoiniHOST
1:27
Thank you so much for being here.
Becky MollenkampHOST
38:46
This I will never forget this.
Becky MollenkampHOST
38:47
And it's been six years because this was in 2020, the summer of 2020 that I had signed up to go see Resmaa Menakem speak online virtual a virtual thing he was doing online.
Becky MollenkampHOST
38:57
I don't think his new book was out.
Becky MollenkampHOST
38:59
I think it was still in support of my grandmother's hands.
Becky MollenkampHOST
39:06
So there was so much of this kind of programming out there.
Becky MollenkampHOST
39:10
And I had read my grandmother's hands.
Becky MollenkampHOST
39:11
I love Resmaa Menakem's work.
Becky MollenkampHOST
39:12
I was really excited to see him speak.
NicoleHOST
40:40
[laughs]
Jordan DobrowskiGUEST
40:40
I was thinking of Resmaa Menakem, um-
NicoleHOST
40:42
Mm-hmm.
NicoleHOST
40:42
Menakem
Ailey JolieHOST
17:44
As I said earlier, misogyny is not the only system who decides whose work gets read.
Ailey JolieHOST
17:52
We have Resmaa, who is the author of My Grandmother's Hands, and they are naming a lot of what I am exploring in this episode.
Ailey JolieHOST
17:59
Their work brings questions.
Ailey JolieHOST
18:01
Their work brings acknowledgement to race and gender together.
speaker_0HOST
29:36
Um, so some of the resources and books that you can read.
speaker_0HOST
29:39
So books that you can begin to grab your hands on would be My Grandmother's Hands by Resmaa Menakem, Me and White Supremacy by Layla F- S-A-A-D, so Saad, um, Decolonizing Therapy by Dr. Jennifer Mullan.
speaker_0HOST
29:56
Um, and I'm sorry if I'm butchering some of these last names and names, but, um, yeah.
speaker_0HOST
30:01
Um, another book is So You Want to Talk About Race by Ijeoma Oluo, The Body Is Not an Apology by Sonya Renee Taylor, The Future Is Disabled by Leah Lakshmi Piepzna-Samarasinha, Coaching For Equity by Elena Aguilar, NeuroTribes by Steve Silberman, Unmasking Autism by Dr. Devin Price.
Lori CohenGUEST
8:30
... somatic level.
Lori CohenGUEST
8:31
Um, and at the neurological level, I bring in polyvagal theory, the work of Stephen Porges, but also somatic, um, practitioners, Resma Menakem, uh, Prentis Samuel.
Lori CohenGUEST
8:42
Then I also bring in the work of Lisa Feldman Barrett, who writes about kind of like the, the allostatic approaches to, to learning, right? We learn from the environmental cues we get, and the more, the more repeated experiences we have of threat, the more we are already perceiving threat before we realize we're perceiving threat.
Lori CohenGUEST
9:01
Our body has already done the hard work of saying, "We're not safe here.
Stephanie McKinnonHOST
3:01
about our collective visions, I'd say, for a better future, a trauma-informed future.
Stephanie McKinnonHOST
3:06
And one of the things I was saying to Katie before we started recording is folks often ask me, because I use the language of late-stage capitalism often, I use it as a hopeful term because naming it as late-stage reminds us that it is both not inevitable and there is a future beyond it.
Stephanie McKinnonHOST
3:29
But when I say that, I think one of the things capitalism has done is it's narrowed our imagination of what's possible.
Stephanie McKinnonHOST
3:36
So people go, well, if not this, then what? And trauma informed is a pillar of how I imagine a post-capitalist future.
Stephanie McKinnonHOST
3:45
So before we dive into it even further, I think it's beautiful to carry everyone along with us.
Stephanie McKinnonHOST
3:53
So would you like to tell us, I'm saying trauma-informed, but as the thought leader of the X version trauma-informed practices, can you tell us a bit more what you mean when you say that, Katie?
Katie KurtzGUEST
4:07
Absolutely.
Katie KurtzGUEST
5:15
Trauma-informed is an approach.
Andre HardyGUEST
29:29
And so...
Andre HardyGUEST
29:31
when you read tear the city down you see something similar you have um a protagonist who has a multi-faceted world um centered around centered around him or his daughter his best friend his neighbor the community the city the town and it really all he's the hub of the wheel And those are the stories that are most interesting to me.
Andre HardyGUEST
29:58
Oftentimes in fiction, particularly crime fiction, you'll see a main character that sort of has this, it's a simple problem.
Andre HardyGUEST
30:07
There's a duality.

10 MINS LATER

Andre HardyGUEST
39:46
They are recognizable conceits.
Andre HardyGUEST
39:50
And my idea was to what can I do, given these guardrails of genre, to do something fresh, to not just write another book.
Andre HardyGUEST
40:04
I tell my friends all the time, I was interested in making a line, not getting in one.
Andre HardyGUEST
40:11
So I begin to think about inverting the tropes wherever possible.
Andre HardyGUEST
29:29
And so...
Andre HardyGUEST
29:31
when you read tear the city down you see something similar you have um a protagonist who has a multi-faceted world um centered around centered around him or his daughter his best friend his neighbor the community the city the town and it really all he's the hub of the wheel And those are the stories that are most interesting to me.
Andre HardyGUEST
29:58
Oftentimes in fiction, particularly crime fiction, you'll see a main character that sort of has this, it's a simple problem.
Andre HardyGUEST
30:07
There's a duality.

10 MINS LATER

Andre HardyGUEST
39:46
They are recognizable conceits.
Andre HardyGUEST
39:50
And my idea was to what can I do, given these guardrails of genre, to do something fresh, to not just write another book.
Andre HardyGUEST
40:04
I tell my friends all the time, I was interested in making a line, not getting in one.
Andre HardyGUEST
40:11
So I begin to think about inverting the tropes wherever possible.

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