Rei Kawakubo

Bien sûr, mais parce qu'en fait, c'est vraiment...

Et comme des, particulièrement avec Kawakubo, enfin...

Bah...

Le truc, c'est que moi, c'est malheureux, mais moi, c'est des shapes qui ne m'iront

... or only specific kind of restaurant in Venice, it kind of went back to that conversation Eugene Rabkin and I were having about is fashion art, is fashion design.

And I think this, this exhibition, it was really about process, and they chose people who, there are only, I think, three fashion designers in it, Rei Kawakubo, Christian Lacroix, and this young S- Central Saint Martins graduate whose name I'll, I'll have to f- pull up.

But, um, it was truly, it was truly remarkable to see all these different makers of things, their work kind of in conversation with each other-

Mm-hmm

... what is the process? Um, the exact name of the exhibition is The Only True Protest Is Beauty, and it was inspired by a Phil Ochs, the activist, as something that he said at some point.

But the, the Palestinian designer from St. Martins, his name is Iham Hassan Musleh.

And I asked Dries, it was interesting to me 'cause it's like, Christian Lacroix obviously Dries has a long relationship with him, and they had done, done a collection together, and that made a lot of sense, and putting that next to Rei Kawakubo made, made sense to me in the conversation.

But then you have this, like, student from St. Martins, and I said to Dries, like, "Do you still look at the shows?" And he said, "Yeah, I engage in fashion.

The sneaker is now a dress code move, not a streetwear move.

Rei Kawakubo's label did not add anything to the Air Jordan 11.

It removed almost everything.

The authority is in the subtraction.