Pumapunku

It really does.

And the physical proof isn't just in the text, right? Look at Pumapunku in Bolivia.

Oh, Pumapunku is astounding.

We are talking about massive H-shaped stone blocks cut with the precision of a modern 3D printer.

And we really must emphasize the material here.

Which means what, exactly?

On the Mohs scale of mineral hardness, they are incredibly dense.

Ancient cultures with just copper tools and sand simply could not achieve the perfect interlocking internal right angles we see at Pumapunku.

There are no mistakes.

These are laser cut, and I would consider this on par, if not the finest megalithic work in the world, on par with Tiwanaku and Pumapunku in Bolivia.

Now, if I was to imagine, how would you create these? Well, you couldn't, you couldn't use Iron Age tools.

That's out.

With that kind of precision, a stonemason, like give me an example.

There have been stonemasons that have brought into Tiwanaku, in Pumapunku in Bolivia, which also has laser-like cut edges and symbols, just very similar to this.

In fact, we're gonna talk about a lot of parallels to that today.

They've been brought into that and they're like, I couldn't do this.

There's always three levels every time.

Anytime you see these ancient motif designs, you see this type of pyramid-like, three-level pyramid design or a three-level kind of entranceway.

Like, for instance, if you look at the Gate of the Sun at Tiwanaku and Pumapunku, there's a doorway there.

If you look at the backside of that, there are three levels to that.

Can't get a razor blade between them.

You know, how the hell do you do that? Then you get in Puma Punku and you have granite and diorite with interior cross cuts.

You need, you can't do that with copper tools and you need advanced mathematics.

I try to produce a lot of content and not to theorize too much and, you know, just to give people a lot of information that they never heard of.

These protrusions, they call them knobs.

You have these sites like Sacsayhuaman in Peru and Ollantaytambo and Tiahuanaco, Pumapunku.

Then you have the pyramids.

The middle pyramid is cased with granite stones, and it's like pillowing with tight fits of granite with these knobby protrusions, and they can't be used for lifting.

So we went there and we were exploring the sites that have really become, I guess, the core of my research and what I'm doing, which isn't really just Turkey because the symbols and the stonework and a lot of what we see, we then find a lot of other places in the world, such as in Peru.

Ollantaytambo, for instance, as well as like Tiwanaku and Pumapunku in Bolivia, and then even places like Saudi Arabia, as well as like Angkor Thom in Cambodia.

We're finding these symbols and these ancient structures that seem to have connections around the world.

So we visited, the three sites we visited, the primary was, of course, Ionis Kalesi, which Ionis Legacy is the name of my company, after that unbelievably incredible temple that Once the world finally understands what that temple is and how old it is and the symbols, I think it'll be one of the most holy temples on earth in the future.

Even in understanding our divinity of who we are, not coming from a place of being primitive, but coming from a place of almost divinity and then falling down to a place that's very primitive and forgetting everything, losing all of what we knew and having to start over again and thinking that we're at the pinnacle of our entire civilization.

And I would argue we're not.

I would say that these previous civilizations that built things like Saskia Oman and Oye Titombo and Cusco and Tiwanaku and Pumapunku and the Great Pyramids and the Sphinx and Baalbek Lebanon and Ionis and Kef Kalesi.

And there's many, many others.

Kaka?

Uh, that's near Puma Punku.

Is it? Yeah, but South America, yeah.

Which I think Lake Titicaca stands for, uh...