Prizren

And the system that is still there is like the National Gallery System, which was of course part of Yugoslavian Federation.

And I would say in my experience with my co-curator Joana Varsa, building third and fourth biennials of Autostrada Biennale, which is a grassroots biennial, originated in Prizren, but also working in different cities of Kosovo, which is a small country in any way.

I noticed especially like kind of the importance of building infrastructure and also playing relocating the funds because it's a country for example where most funding is coming from the humanitarian or like kind of educational but not really artistic.

So actually we played around many things and developing really very also interesting program for young generation because it's a very young country.