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Phil Tippett

Phil Tippett

American animator and visual effects supervisorWikipedia

Search complete. 141 mentions across 50 episodes found for "Phil Tippett".

Sep 20, 2026

JordanHOST
18:53
one is better okay
ChrisHOST
18:55
i'll keep an eye out um watched uh i saw sad news that um special effects wizard phil tippett closed his studio in um la i thought i think i saw something about that
JordanHOST
19:11
yeah
ChrisHOST
19:12
Yeah, Phil Tippett, stop-motion animator responsible for Star Wars and RoboCop and so much more than that, but was really head of special effects coordinator for Jurassic Park.
ChrisHOST
19:27
Even when it went full digital, he kind of still went in and handled movement and they used the stop-motion for reference and stuff.
ChrisHOST
19:35
He directed a Shudder original probably about five or six years ago now called Mad God.
Connor HeaneyGUEST
45:48
so that we can focus on exhibitions such as the ones we've just discussed.
Connor HeaneyGUEST
45:52
But in terms of the winning entries that we received into the Harryhausen Awards, we had everybody from Guillermo del Toro and Phil Tippett through to young animators submitting their first ever piece of work.
Connor HeaneyGUEST
46:05
So very inspiring to see
speaker_0SOUNDBITE_SPEAKER
46:07
the

5 MINS LATER

Vanessa HarryhausenGUEST
51:37
I used to play a game with Shaun the Sheep and everything, so I love anything like that.
Connor HeaneyGUEST
51:43
I'm going to say a more recent film.
Connor HeaneyGUEST
51:47
Mad God, which is Phil Tippett.
Connor HeaneyGUEST
51:50
Phil Tippett, of course.
Pablos HolmanHOST
6:44
When's the last time I made a diorama? So last
Mike WinterGUEST
6:45
week was Phil Tippett's garage sale.
Mike WinterGUEST
6:48
Are you familiar with him? He is a special effects guy.
Mike WinterGUEST
6:52
You may have heard of a movie called Star Wars.
Mike WinterGUEST
7:21
I'm taking Phil's stuff.
Mike WinterGUEST
7:24
And that would be morphed into something in my world.
Mike WinterGUEST
7:28
But Phil Tippett, I only met him once or twice.
Mike WinterGUEST
7:30
I'm sure he wouldn't remember me at all.
RobHOST
29:54
It was so awesome.
RobHOST
29:55
But as soon as Phil Tippett saw it, he goes, well, I'm out of a job because he was doing everything in stop motion.
RobHOST
30:03
And he was like, dude, this looks 10,000 times better than my stop motion could ever possibly do.
JamesHOST
30:09
It's so much easier in the scale of it's going to keep on growing.
speaker_1HOST
9:21
That's it.
speaker_1HOST
9:22
In fact, the special effects, there's a chap called Phil Tippett, and he constructed 76 rubber piranhas.
speaker_0HOST
9:29
Yeah, I read
speaker_1HOST
9:30
that.
Jim HillHOST
47:51
I- and it's a sad bit of news from the, from the past week.
Jim HillHOST
47:55
Visual effects, Phil Tippett, a, a, a legend, a legend in the industry, shuttered-
Dan GraneyHOST
48:01
Mm
Jim HillHOST
48:01
... his studio up in Berkeley, uh, late last month after nearly 40 years in that building on Grayson.
Jim HillHOST
47:51
It's a sad bit of news from the past week.
Jim HillHOST
47:55
Visual effects Phil Tippett, a legend, a legend in the industry, shuttered his studio up in Berkeley late last month after nearly 40 years in that building on Grayson.
Jim HillHOST
48:09
And, by the way, folks who went to his final open house managed to walk away with original storyboards from The Mandalorian and Grogu, one of the very last projects he worked on in that thing, for $5 apiece.
Dan GraneyHOST
48:27
I mean, it actually kind of makes me sick.
Joe RocheGUEST
6:27
Oh, my God.
Joe RocheGUEST
6:28
And the people that are working at this pace are all extraordinarily talented and have this... speaking of being a fan boy, I mean, have these amazing histories of working in Hollywood, particularly the, I mean, everybody, the VFX artists alone are just like, well, when I was talking with Phil Tippett and we were about to work on, I'm like, just, I just want to sit down cross-legged at their feet and be like,
Dawn BrodyHOST
6:57
keep going.
Dawn BrodyHOST
6:58
Tell me everything.
Nic BrownGUEST
46:39
try? Because I, you know, it's, and I don't think it was the first, I think it was, they started it a little bit in empire strikes back, but this is the first time they used it really is the main thing.
Steven TurkHOST
46:52
So They were working on it, and Phil Tippett and a whole bunch of group were involved in the Empire Strikes Back with that little bit of go motion, the tiny bit, but they couldn't get it done right.
Steven TurkHOST
47:01
And the reason go motion is used, it's similar to stop motion, except they use a computer and rods to have things move so you get – You get the blur.
Steven TurkHOST
47:10
So you don't have the, the way stop motion works when you stop a frame, you know, shoot one frame, move a little bit, shoot one frame, move a little bit.

30 MINS LATER

Steven TurkHOST
77:20
The Blu-ray, the great part about it is... is it has bonus features.
Steven TurkHOST
77:25
Like I said, it has the commentary track, but it also has a five-part behind-the-scenes thing where they really go and explain how the movie was made, going through the production, how the dragon was made, and how they're going through that.
Steven TurkHOST
77:36
You have Phil Tippett on there.
Steven TurkHOST
77:37
You have Matthew Robbins on there.
Eddie EdwardsHOST
22:29
Right, which one? When
Mark O'NeillHOST
22:29
the chair, the sort of stop motion Phil Tippett looking chair emerges from the skin of the Tin Man.
Mark O'NeillHOST
22:39
Oh, and people keep talking about Tin Man.
Mark O'NeillHOST
22:40
I hope you

40 more episodes mention Phil Tippett.

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