Peter Deming
Lebanese-American cinematographerWikipedia
12
MENTIONS
10
EPISODES
10
PODCASTS
Search complete. 12 mentions across 10 episodes found for "Peter Deming".
Oct 16, 2026
Brian SalisburyHOST
You're right.
Brian SalisburyHOST
The cinematography on this, this is shot by Peter Deming, uh, who did not shoot the first Scream, but has shot movies for everyone from, uh, David Lynch to the Hughes brothers to Philip Kaufman to David O. Russell to Rob Reiner.
Brian SalisburyHOST
Like, the guy...
Brian SalisburyHOST
And oh, and, uh, his first, his first, uh, job was shooting Evil Dead II.
Paul RootHOST
Writers, Sam Raimi, Crime Wave, Scott Spiegel, RIP, The Rookie from 1990.
Paul RootHOST
Director of photography, Peter Deming, The Menu, Mulholland Drive, and Scream 4.
Paul RootHOST
Listen to our Scream 4 episode.
Paul RootHOST
This movie better looking than Scream 4?
Juzo GreenwoodHOST
He shot Lost Highway and Mulholland Drive.
Juzo GreenwoodHOST
Peter Deming, one of his first movies ever.
Juzo GreenwoodHOST
But that whole sequence where he follows Campbell through the entire house and then into the walls of the house, like it's just amazing.
Juzo GreenwoodHOST
And then Bruce Campbell, he's just great.
AbeHOST
Yeah.
AaronHOST
But it was in honor of the cinematographer Peter Deming, who's shot a lot of David Lynch films, shot a lot of Sam Raimi th- He's shot a lot of things.
AaronHOST
He's has a huge career, but, uh, they're honoring him for, uh, scr- Screamfest is honoring him for his, his work in cinema.
AaronHOST
And it was cool to see, uh, Evil Dead 2 on the big screen.
45 MINS LATER
AaronHOST
But this, so I think this movie by [laughs] comparison-
Markus RobinsonGUEST
Yeah
AaronHOST
... like, at least he has, like, a cheat sheet to look at because he has Fincher's film and Jeff Cronenweth, the cinematographer, back for this.
Markus RobinsonGUEST
Mm-hmm.
Trace ThurmanHOST
...
Trace ThurmanHOST
while Twisted, yes, fits the narrative framework of a noir, I think its visual style is so bland, and this is all the more surprising that the cinematographer is Peter Deming, um, the guy who shot David Lynch's Mulholland Drive and-
Joe LipsettHOST
Mm
Trace ThurmanHOST
... is no stranger to the horror genre having shot Scream 2 through 4, From Hell, Drag Me To Hell, and The Cabin in the Woods.
Pam TerijakGUEST
Yeah, it is a much colder palette when it comes to the cinematography.
Pam TerijakGUEST
Peter Deming obviously made sure that it looked like that as opposed to Garcia's palette in the original two seasons with that warmer, rosier lens and film on the lens.
Pam TerijakGUEST
It does show how the times have changed, even how cinematography has changed.
Pam TerijakGUEST
I watched several videos because once you become a Lynch nerd, you certainly start looking at cinematography as a topic of conversation.
Sean PryorHOST
Joy Ride, The Shallows, Ford v. Ferrari, and, uh, underrated comedy, Long Shot.
Sean PryorHOST
Cinematography by Peter Deming.
Sean PryorHOST
He also did Evil Dead 2, My Cousin Vinny, Son in Law, Lost Highway, Mulholland Drive, and the Netflix movie that is a perfect plane movie, The Whisper Man.
Sean PryorHOST
Edited by Patrick Lussier.
Christopher TellefsenGUEST
No, it was very, very, very much changed.
Christopher TellefsenGUEST
The original script started with a scene, it was like there was, there was all this, um, Peter Deming, the DP, ma- made this kind of light thing on the ceiling that there was like a, a little like, um, kind of a, a toy with a, with a turning thing, so it, it made all these, these...
Christopher TellefsenGUEST
And, and you hear the tapping at the glass, and this, and little boy, Neil, the one who they're looking for i- in the beginning, and, and then you see the sign, "Missing boy," he had a full scene of going to the glass and listening, and then it cuts to his grandmother, who's like tied to a, to like a oxygen tank, and she's asleep, and she sees the doors open, the wind is blowing in, and she comes screaming out.
Christopher TellefsenGUEST
You know, and it was like...
6 MINS LATER
Christopher TellefsenGUEST
Colin's wonderful.
Christopher TellefsenGUEST
I've worked with Colin before on The Menu.
Christopher TellefsenGUEST
And act- interestingly, James Ashcroft, the director, was a huge fan of The Menu, and he put together all of us, which is Peter Deming, Colin, myself, and the s- the sound team, Paul Errico and, um, Rich Bologna.
Christopher TellefsenGUEST
We all worked on Menu together, and we all worked on The Whisper Man together too.
The VernHOST
I'm looking at all the production credits because I find it to be very fascinating.
The VernHOST
The only production credit in this that I recognize is Peter Deming.
The VernHOST
Now, Peter Demmon, he was the director of photography for a Nate Sparrow and Elm Street 3.
The VernHOST
And then he shot a whole bunch of David Lynch movies.
KieranGUEST
Mm-hmm.
Sean O'RourkeHOST
Well, Peter Deming also fucking shot that, who did-
Joe La ScolaHOST
I could have believed that when they showed his name on ca- on screen
Sean O'RourkeHOST
...