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Orpheus Chamber Orchestra

Orpheus Chamber Orchestra

OrchestraWikipedia

Search complete. 10 mentions across 5 episodes found for "Orpheus Chamber Orchestra".

Oct 24, 2026

Peter CudlipHOST
8:29
Is it simply a dance that would have been performed by a princess in an earlier time? Or is it music in tribute upon the death of a princess? I think it works both ways.
Peter CudlipHOST
8:43
Here is the Orpheus Chamber Orchestra.
Peter CudlipHOST
8:45
It's about seven minutes long.
Peter CudlipHOST
8:47
Maurice Ravel's Pavane for a Dead Princess.
Peter CudlipHOST
8:57
Thank you.
Peter CudlipHOST
9:28
¶¶ ¶. . . . ¶¶ . . . ¦ ¦ ¦ ¦ . . . . . ¦ ¦ ¶¶ That was the Orpheus Chamber Orchestra performing Maurice Ravel's Pavan for a Dead Princess.
Peter CudlipHOST
15:48
All right, staying in France, here is an early work by Gabriel Fauret from 1877, Après un rêve, After a Dream.
Peter CudlipHOST
15:58
It was originally written as a song for baritone and piano, but later it was arranged by the cellist Pablo Casals.
Peter CudlipHOST
8:29
Is it simply a dance that would have been performed by a princess in an earlier time? Or is it music in tribute upon the death of a princess? I think it works both ways.
Peter CudlipHOST
8:43
Here is the Orpheus Chamber Orchestra.
Peter CudlipHOST
8:45
It's about seven minutes long.
Peter CudlipHOST
8:47
Maurice Ravel's Pavane for a Dead Princess.
Peter CudlipHOST
8:57
Thank you.
Peter CudlipHOST
9:28
¶¶ ¶. . . . ¶¶ . . . ¦ ¦ ¦ ¦ . . . . . ¦ ¦ ¶¶ That was the Orpheus Chamber Orchestra performing Maurice Ravel's Pavan for a Dead Princess.
Peter CudlipHOST
15:48
All right, staying in France, here is an early work by Gabriel Fauret from 1877, Après un rêve, After a Dream.
Peter CudlipHOST
15:58
It was originally written as a song for baritone and piano, but later it was arranged by the cellist Pablo Casals.
Melting Pot

Melting Pot

David Singer

Oct 22 · 4 Mentions

Payal NayarHOST
10:32
it's emotion.
Payal NayarHOST
10:34
And the way you express... your emotion through your music whether it's playing an instrument or whether it's vocals or you know whatever it may whatever form it may be i think is is beautiful and people who are able to do that like yourself are truly blessed because you're able to express and share the love of your music and I think that that is quite quite a story so I wanted to ask you I mean before we we move away from your life as a musician and how you know, I have, I've read that you were playing free with Orpheus.
David SingerGUEST
11:27
Right.
Payal NayarHOST
11:27
Then, you know, recording internationally.
David SingerGUEST
14:29
And we got a call to replace them.
David SingerGUEST
14:33
I think it was a week's time.
David SingerGUEST
14:35
Now I should also say that being a member of Orpheus, even in 1977, Did I say the group started in 73? Anyway, we were still playing for free.
David SingerGUEST
14:47
We would get together and talk about what kind of orchestra we would like, how big should it be.
Tianyi LuGUEST
16:26
conductor.
Tianyi LuGUEST
16:27
So I know the Orpheus Chamber Orchestra does stuff like that.
Tianyi LuGUEST
16:30
And I know like, I mean, Aurora has a conductor, but they've done stuff without music.
Tianyi LuGUEST
16:35
And I think the way they work can be quite collaborative.
Jeff BealGUEST
21:54
I'm finishing a first draft.
Jeff BealGUEST
21:55
I've been writing a saxophone concerto for one of my favorite saxophone players, Branford Marcellus and the Orpheus Chamber Orchestra.
Jeff BealGUEST
22:03
I was at a concert as I was working on this in Carnegie Hall and There was some music playing.
Jeff BealGUEST
22:08
I can't remember what it was, and it was good music, but somewhere through the net effect of the concert, I was missing any silence.

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