
Orpheus Chamber Orchestra
OrchestraWikipedia
10
MENTIONS
5
EPISODES
5
PODCASTS
Search complete. 10 mentions across 5 episodes found for "Orpheus Chamber Orchestra".
Oct 24, 2026
Longing
P
8:29Peter CudlipHOST
Is it simply a dance that would have been performed by a princess in an earlier time? Or is it music in tribute upon the death of a princess? I think it works both ways.
P
8:43Peter CudlipHOST
Here is the Orpheus Chamber Orchestra.
P
8:45Peter CudlipHOST
It's about seven minutes long.
P
8:47Peter CudlipHOST
Maurice Ravel's Pavane for a Dead Princess.
P
8:57Peter CudlipHOST
Thank you.
P
9:28Peter CudlipHOST
¶¶ ¶. . . . ¶¶ . . . ¦ ¦ ¦ ¦ . . . . . ¦ ¦ ¶¶ That was the Orpheus Chamber Orchestra performing Maurice Ravel's Pavan for a Dead Princess.
P
15:48Peter CudlipHOST
All right, staying in France, here is an early work by Gabriel Fauret from 1877, Après un rêve, After a Dream.
P
15:58Peter CudlipHOST
It was originally written as a song for baritone and piano, but later it was arranged by the cellist Pablo Casals.
Longing
P
8:29Peter CudlipHOST
Is it simply a dance that would have been performed by a princess in an earlier time? Or is it music in tribute upon the death of a princess? I think it works both ways.
P
8:43Peter CudlipHOST
Here is the Orpheus Chamber Orchestra.
P
8:45Peter CudlipHOST
It's about seven minutes long.
P
8:47Peter CudlipHOST
Maurice Ravel's Pavane for a Dead Princess.
P
8:57Peter CudlipHOST
Thank you.
P
9:28Peter CudlipHOST
¶¶ ¶. . . . ¶¶ . . . ¦ ¦ ¦ ¦ . . . . . ¦ ¦ ¶¶ That was the Orpheus Chamber Orchestra performing Maurice Ravel's Pavan for a Dead Princess.
P
15:48Peter CudlipHOST
All right, staying in France, here is an early work by Gabriel Fauret from 1877, Après un rêve, After a Dream.
P
15:58Peter CudlipHOST
It was originally written as a song for baritone and piano, but later it was arranged by the cellist Pablo Casals.
David Singer
P
10:32Payal NayarHOST
it's emotion.
P
10:34Payal NayarHOST
And the way you express... your emotion through your music whether it's playing an instrument or whether it's vocals or you know whatever it may whatever form it may be i think is is beautiful and people who are able to do that like yourself are truly blessed because you're able to express and share the love of your music and I think that that is quite quite a story so I wanted to ask you I mean before we we move away from your life as a musician and how you know, I have, I've read that you were playing free with Orpheus.
D
11:27David SingerGUEST
Right.
P
11:27Payal NayarHOST
Then, you know, recording internationally.
D
14:29David SingerGUEST
And we got a call to replace them.
D
14:33David SingerGUEST
I think it was a week's time.
D
14:35David SingerGUEST
Now I should also say that being a member of Orpheus, even in 1977, Did I say the group started in 73? Anyway, we were still playing for free.
D
14:47David SingerGUEST
We would get together and talk about what kind of orchestra we would like, how big should it be.
Tianyi Lu
T
16:26Tianyi LuGUEST
conductor.
T
16:27Tianyi LuGUEST
So I know the Orpheus Chamber Orchestra does stuff like that.
T
16:30Tianyi LuGUEST
And I know like, I mean, Aurora has a conductor, but they've done stuff without music.
T
16:35Tianyi LuGUEST
And I think the way they work can be quite collaborative.
Soundboard: Jeff Beal
J
21:54Jeff BealGUEST
I'm finishing a first draft.
J
21:55Jeff BealGUEST
I've been writing a saxophone concerto for one of my favorite saxophone players, Branford Marcellus and the Orpheus Chamber Orchestra.
J
22:03Jeff BealGUEST
I was at a concert as I was working on this in Carnegie Hall and There was some music playing.
J
22:08Jeff BealGUEST
I can't remember what it was, and it was good music, but somewhere through the net effect of the concert, I was missing any silence.