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Offred

Offred

Search complete. 47 mentions across 11 episodes found for "Offred".

Oct 2, 2026

speaker_2HOST
2:48
Right.
speaker_2HOST
2:49
Readers around the world intimately knew characters like Anne Shirley or, you know, Offred from The Handmaid's Tale.
speaker_2HOST
2:55
But if you ask those same readers to name a Canadian film director, [laughs] you would just get a blank stare.
speaker_1HOST
3:02
Wow.

10 MINS LATER

speaker_2HOST
13:28
And there is no more instructive example of this challenge than Margaret Atwood's dystopian novel, The Handmaid's Tale.
speaker_1HOST
13:35
Right.
speaker_1HOST
13:36
Set in the theocratic republic of Gilead, following Offred, a woman forced into reproductive servitude.
speaker_2HOST
13:41
Yeah.
Jennie GageGUEST
3:39
No, I'm Jenny Gage.
Jennie GageGUEST
3:42
Offred, welcome.
Jennie GageGUEST
3:45
Thank you.
Jennie GageGUEST
3:45
Thank you.
speaker_0HOST
15:42
Fertile women are stripped of their names, assigned to the ruling class of commanders, and treated strictly as reproductive property.
speaker_1HOST
15:49
And the book is written as a first person, almost suffocating internal monologue by Offred.
speaker_0HOST
15:55
But the challenge of adapting a first person internal monologue to television is that a TV show requires external action.
speaker_1HOST
16:01
Exactly.
speaker_1HOST
16:02
The book famously ends on an incredibly ambiguous note.
speaker_1HOST
16:06
Offred steps into a van, and we never know if she's being taken to the resistance or the secret police.
speaker_0HOST
16:12
Right, and the adaptation looks at that ambiguity and says, "No, we have to keep going.
speaker_0HOST
16:17
We have to show what happens next."
Dorothy GaleHOST
13:48
So this is the world that we live in, in this book.
Dorothy GaleHOST
13:53
And we have hope, because our hero, Offred...
Dorothy GaleHOST
13:57
And stop.
Dorothy GaleHOST
13:58
Oh! all right undine you gotta

22 MINS LATER

MarionHOST
36:30
And I feel like that's the kind of thing we're seeing in society today, particularly with particular individuals who are put into power, who may or may not have a certain expertise, but they will be a yes person to what the regime wants to happen.
Dorothy GaleHOST
36:55
Andine, where did you see transformation and control?
UndineGUEST
36:58
Well, I keep going back to Offred and her transformation, you know, and her personal control of her environment and how she sees that opening with the commander through playing Scrabble with him of, oh, here's an opportunity for me to change her situation.
UndineGUEST
37:19
And obviously, I'm sure she and in this imaginary scenario, she and all the women were looking for those windows of opportunity, but she had the bravery to take that on.
Matthew HilbornHOST
37:55
So Bene Wiser have both written about this, that there's a kind of rise of a new visibility of feminist anger, right? That there are kind of furious female on-screen heroines in TV.
Matthew HilbornHOST
38:04
I'm thinking of like, Jessica Jones or Offred in Handmaid's Tale.
Matthew HilbornHOST
38:09
So there's a kind of way in which globalised media culture is accommodating female fury as a kind of legitimist.
Matthew HilbornHOST
38:16
And I wouldn't say she's irate in this film, but, you know, she has a legitimate.
JohnHOST
5:07
I didn't see a single episode of Mad Men, so I had only the vaguest notion that she played Peggy on that series, even though she's a major character.
JohnHOST
5:15
And although I knew she played Offred on the smash hit adaptation of The Handmaid's Tale, I'm just not really a TV guy, so I missed that as well.
JohnHOST
5:24
I didn't even see Girl Interrupted or Suburban Commando, both of which she's in.
JohnHOST
5:28
So while I knew she was justly famed for her acting, and I knew she was someone entirely different from Elizabeth Banks of Slither fame, this was where I really dialed in on her for the first time.
Sarah L. KaufmanGUEST
42:12
But there are passages like this one that really snap into focus.
Sarah L. KaufmanGUEST
42:18
And here she is talking about the commander's sitting room, okay? And Offred is describing it.
Sarah L. KaufmanGUEST
42:25
And she says...
Sarah L. KaufmanGUEST
42:28
The sitting room is one of the shapes money takes when it freezes.
Dorothy GaleHOST
15:04
And They are expected to produce children for high-ranking government officials or others whose status is high enough for that privilege.
Dorothy GaleHOST
15:15
And since Offred was there at the start of the takeover, we see how Gilead's government is attempting to reshape society.
Dorothy GaleHOST
15:22
So that's what we get a lot of throughout the book, sort of how things are different now than they had been.
Dorothy GaleHOST
15:27
So kind of a transformation.
Dorothy GaleHOST
15:34
Sorry, that would be a theme that we will read in part two as we discuss the book.
Dorothy GaleHOST
15:40
Anyways, we get to see how people are reacting to the government's shaping of things
MarionHOST
15:50
through the eyes of Offred.
MarionHOST
15:52
And Offred, just to clarify a little bit more, Dorothy talked about that her name is of Fred smushed together.
Jennifer DavisHOST
18:45
I lower my eyes to the path, glide by her, hoping to be invisible, knowing I'll be ignored.
Jennifer DavisHOST
18:51
"'Offred,' she says.
Jennifer DavisHOST
18:54
I pause, uncertain.
Jennifer DavisHOST
18:55
"'Yes, you.' I turn towards her.
speaker_5HOST
8:22
So Atwood builds a society where the solution to that scarcity is the complete commodification of the female body.
speaker_5HOST
8:29
You have the protagonist, Offred, who is forced into this cast called the Handmaids.
speaker_5HOST
8:33
Their sole biological purpose is to bear children for the ruling class.
speaker_6HOST
8:37
The powerful government commanders and their wives.
speaker_6HOST
10:18
They start them.
speaker_6HOST
10:19
They burn the books.
speaker_5HOST
10:20
The protagonist is Guy Montag, and he's one of these firemen.
speaker_6HOST
10:23
Right.

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