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Search complete. 128 mentions across 10 episodes found for "Noh".

Sep 3, 2026

Kevin O'SheaHOST
12:21
The idea of the drowned dead attacking a vessel also appears in Japanese theater.
Kevin O'SheaHOST
12:26
One famous example is a Noh play called Funa Benkei, or Benkei in the Boat.
Kevin O'SheaHOST
12:32
In the play, Minamoto no Yoshitsune is fleeing after falling out with his brother, Yoritomo.
Kevin O'SheaHOST
12:42
He sets out by sea with his retainer, Benkei.
TKHOST
32:09
They're all women.
TKHOST
32:12
Nowadays, Hanya are mostly known in their mask form, coming from the tradition of Noh theater, one of the oldest continuous stage performances in the world.
TKHOST
32:22
In the realm of Noh, three types of Hanya masks correspond with the real folkloric stages of female demon transformation.
TKHOST
32:30
You have the Nama Nari, the Chu Nari and the Hon Nari.
TKHOST
32:36
All of these are women in the midst of transforming due to the varying levels of jealousy and resentment that they harbor in their bodies.
Dan FrazeNARRATOR
389:23
We have already mentioned incidentally the theater as one of the favorite diversions of the people, and though it has never been regarded as a very refined amusement, it has done and is doing much for the education of the lower classes in the history and spirit of former times.
Dan FrazeNARRATOR
389:37
Regular plays were never performed in the presence of the emperor and his court, or the shogun and his nobles, but the Noh dance was the only dramatic amusement of the nobility.
Dan FrazeNARRATOR
389:47
This Noh is an ancient Japanese theatrical performance, more perhaps like the Greek drama than anything in our modern life.
Dan FrazeNARRATOR
389:54
All the movements of the actors are measured and conventionalized, speech is a poetical recitative, the costumes are stiff and antique, masks are much used, and the chorus seated upon the stage chants audible comments upon the various situations.
Dan FrazeNARRATOR
390:08
This alone, the most ancient and classical of Japanese theatrical performances, is considered worthy of the attention of the emperor and the nobility, and takes the place with them of the more vulgar and realistic plays which delight common people.
MayaHOST
28:01
Mm-hmm
Yui TakeshimaGUEST
28:01
... which is like Kabuki is Noh theater.
MayaHOST
28:04
Yeah.
Yui TakeshimaGUEST
28:04
Um, all the traditional stuff.
Addison AndersonNARRATOR
1:18
Soon, other troupes began performing in the same style, and kabuki made history as Japan's first dramatic performance form catering to the common people.
Addison AndersonNARRATOR
1:27
By relying on makeup or kesho and facial expressions instead of masks and focusing on historical events and everyday life rather than folktales, kabuki set itself apart from the upper-class dance theater form known as Noh and provided a unique commentary on society during the Edo period.
Addison AndersonNARRATOR
1:46
At first, the dance was practiced only by females and commonly referred to as onna kabuki.
Addison AndersonNARRATOR
1:52
It soon evolved to an ensemble performance and became a regular attraction at teahouses, drawing audiences from all social classes.
Justin HebertHOST
17:32
The first was Sugata Sanshiro Part II, a sequel to his first feature film, which the studio more or less forced upon him and is generally considered his weakest film.
Justin HebertHOST
17:42
The second was titled The Men Who Tread on the Tiger's Tail, a comedic drama based on the Kabuki play Kanjin Chou, which was in turn based on the Noh play Ataka.
Justin HebertHOST
17:54
The film, as well as its sources of inspiration, follow the travails of Minamoto Yoshitsune, the younger brother of the first ruling shogun, Minamoto Yoritomo, who was forced to run for his life from said shogun after a misunderstanding.
Justin HebertHOST
18:10
Yoshitsune and his six loyal companions, including the famous warrior monk Benkei, attempt to reach friendly territory among the northern Fujiwara clan while disguised as monks.
Justin HebertHOST
18:23
Although the film was a period piece based on Kabuki and Noh plays, themselves both staples of Japanese culture, the Board of Censors repeatedly struck parts of the script from production, and in particular, disliked a character whose primary role was comic relief.
Justin HebertHOST
18:39
However, the film was completed in September of 1945, just after the end of the Pacific War, which gave Akira some hope that the film might be released without the interference of the ever-troublesome Board of Censors.
Justin HebertHOST
18:53
Although the Allies had dissolved the censorship apparatus of the Empire of Japan's government, they replaced it with their own censorship office, which was intent on assisting the overall mission of SCAP to destroy regressive values in Japan and transform its culture so that the nation could never again threaten world peace.
Dan RichterGUEST
14:30
Yeah, that's sort of the way I see it.
Dan RichterGUEST
14:32
So I wanted to do that, and I also very much wanted to get to Japan to study the Noh Theater and the Kabukizawa.
Dan RichterGUEST
14:39
Anyway, so I was in Paris and trying to figure out how to get to India.
Dan RichterGUEST
14:44
I didn't have any money.

13 MINS LATER

Dan RichterGUEST
27:40
And we became very good friends.
Dan RichterGUEST
27:42
And I was to support myself because I was studying.
Dan RichterGUEST
27:46
I would go to the Noh Theater every day to watch rehearsals and talk about technique and things like that.
Dan RichterGUEST
27:52
And I couldn't get into the Kabuki rehearsals, but they let me go to as many performances as I want.
speaker_1ADVERTISER
1:27
Paid for by Better Nevada PAC.
ExpatriateNARRATOR
1:30
Introduction to the Noh Plays of Japan.
ExpatriateNARRATOR
1:33
This is a LibriVox recording.
ExpatriateNARRATOR
1:35
All LibriVox recordings are in the public domain.
ExpatriateNARRATOR
1:38
For more information or to volunteer, please visit LibriVox.org. Recording by Expatriate in Bangor, Maine.
ExpatriateNARRATOR
1:47
The Noh Plays of Japan by various authors.
ExpatriateNARRATOR
1:51
Translated by Arthur Whaley, 1889-1966.
ExpatriateNARRATOR
1:57
Introduction.
speaker_1ADVERTISER
0:26
Visit SpinQuest.com for more details.
ExpatriateNARRATOR
0:31
Introduction to the Noh Plays of Japan.
ExpatriateNARRATOR
0:34
This is a LibriVox recording.
ExpatriateNARRATOR
0:36
All LibriVox recordings are in the public domain.
ExpatriateNARRATOR
0:39
For more information or to volunteer, please visit LibriVox.org. Recording by Expatriate in Bangor, Maine.
ExpatriateNARRATOR
0:48
The Noh Plays of Japan by Various Authors.
ExpatriateNARRATOR
0:52
Translated by Arthur Whaley, 1889-1966.
ExpatriateNARRATOR
0:58
Introduction.
Dan FrazeNARRATOR
393:48
We have already mentioned incidentally the theater as one of the favorite diversions of the people, and though it has never been regarded as a very refined amusement, it has done and is doing much for the education of the lower classes in the history and spirit of former times.
Dan FrazeNARRATOR
394:02
Regular plays were never performed in the presence of the emperor and his court, or the shogun and his nobles, but the Noh dance was the only dramatic amusement of the nobility.
Dan FrazeNARRATOR
394:12
This Noh is an ancient Japanese theatrical performance, more perhaps like the Greek drama than anything in our modern life.
Dan FrazeNARRATOR
394:19
All the movements of the actors are measured and conventionalized, speech is a poetical recitative, the costumes are stiff and antique, masks are much used, and the chorus seated upon the stage chants audible comments upon the various situations.
Dan FrazeNARRATOR
394:33
This alone, the most ancient and classical of Japanese theatrical performances, is considered worthy of the attention of the emperor and the nobility, and takes the place with them of the more vulgar and realistic plays which delight common people.

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