Nine

And the feeling of those first times of something like that, that kind of support.

And also it was support, for me in my first American movie and I couldn't believe that I was being able to to work already at that age in four different languages in in a lot of different countries that I was getting all these opportunities and support and you know because I come from a family where nobody did anything related to the arts, music or dance or cinema or nothing related.

Like I didn't even know a person that had that as a profession.

So it was like dreaming about going to the moon.

But in Spain, it's the same agent always.

such a big part of my life.

And he came to Madrid and told me, oh, I saw that you're casting and I want you to do the movie.

I was like, what are you talking about? The director of The Grifters? The director of Dangerously A Son? I was obsessed with those movies.

To be involved in this film, Penelope had to be Italian.

Nine.

Rob Marshall's nine.

Nine.

Nine.

Nine is the Daniel Day-Lewis musical.

Brendan, you haven't seen Nine? This is the most Brendan bullshit ever made.

Nine is...