Nick Raphael

This is a problem I had when I first signed to Pete Tong.

I played Crescendo, which I'll tell you later with Nick.

Oh, cut out the intro straight away.

Cut the intro.

So you're mixing four minutes of a record.

When I sit behind Lange and Oakenfold, I notice that they're playing the best four minutes of it.

And I was told even back then by Nick Raphael, who had a club called Vague, in Leeds that, oh no, we want a four minute section of it, you know, and they used to play it from the beat.

Yes.