Yeah.

But it's, um...

I wanna be doing some more producing of other things as we go, like kinda taking a page out of Cory's book a bit with the Cellar Live side of things, and, and I would love to be able to help produce records for people and, and help organize tours and, and, you know, all of those things that, that are kind of essential to get funded these days, 'cause it's just they don't pay enough on their own.

And, you know, if I can kinda tap into and, and get known within some of those grant spaces in the funding communities, then I can, I can maybe leverage that to help, you know, friends and non-friends, but whoever our musicians are on the scene, if they've got a good project that I think would be, you know, within, within what we're pushing for as a, as a group, I'd love to be able to help organize some of that stuff, right? And so records for not just me, but for, you know, everybody out on the scene, if we can, if we can get somewhere, right, and we're pushing some strong c- creative stuff in there, I, I would love to organize some of that stuff.

[laughs]

That's right.

That's right.

Evan Cribb was the lead alto in the A band at the time, and being stuck playing all these soprano parts, like he just hated that Yamaha sop- soprano that was in the school stores, and he didn't have one of his own.