MPEG-H

That's why I've always found ADR to feel less like an afterthought and more like another layer of composition in my post-production workflow.

Another feature that sets Nuendo apart is its full suite of surround and object-based mixes right out of the box from five point one up to the latest Dolby Atmos MPEG-H format.

I can author an Atmos mix using just a single set of buses, assign objects per track with level, spread, and height data, then export back as an ADM file that's ready for any streaming platform.

That workflow feels like it was made by sound designers who had to get creative before digital audio workstations even existed.