Mixmag
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26
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Search complete. 26 mentions across 17 episodes found for "Mixmag".
Sep 24, 2026
Steve HueyHOST
Okay.
Steve HueyHOST
Tisto's remix of Silence was voted the 12th greatest dance track of all time in a poll of the readers of MixMag, which is a British magazine about mixing.
Steve HueyHOST
Now, MixMag is not to be confused with Mix, a different American magazine also about mixing, which in 2010 or 11 voted DJ Tisto the greatest DJ of all time.
Steve HueyHOST
See, somebody has to make sense of all these Wikipedia entries for you all.
Steve HueyHOST
Anyway, these various...
Alan CrossHOST
In 1993, this new sound got a name.
Alan CrossHOST
Andy Pemberton, a writer at Mixmag, the magazine that covered all things dance, used the term trip hop in a piece about a 12-minute track called In Flux from DJ Shadow.
Alan CrossHOST
He was looking for a way to describe a sonic journey, a trip, that was super atmospheric, even though it had dance beats.
Alan CrossHOST
Let's have a little listen to that.
Anthony PappaGUEST
That was when I was 20.
Anthony PappaGUEST
It was Mixmag, which was a very influential magazine in the UK, ran the competition with the Ministry of Sound, sent in a mixtape.
Anthony PappaGUEST
The judges would choose the winning tape and the first prize was, well, there was only one prize, to win a guest slot at the club, the Ministry of Sound in London.
Anthony PappaGUEST
So by me winning that competition, it got me an invitation to go to London to play at the Ministry of Sound, which was, and still is a great club, one of the greatest clubs in the world, especially in the 90s.
Anthony PappaGUEST
Obviously, I was well-known in Australia, but moving to another country was like starting from scratch again.
Anthony PappaGUEST
But I was lucky enough, because of the DMC connection, I actually got a job at DMC in the UK.
Anthony PappaGUEST
which probably would have been the best place anyone could ask to work for because not only was it DMC, it was the headquarters for Mixmag, which was the largest publication covering club culture and the scene.
MC Scott THOST
And
Ricky NordHOST
You're so right.
Ricky NordHOST
I remember watching your Mixmag interview, which is amazing, by the way.
Ricky NordHOST
Big up Mixmag.
Ricky NordHOST
They did a segment on you, but there's a part where you speak about how you did the big festivals and the video sort of moment and realized that...
Ricky NordHOST
It wasn't you.
Mayatu NovaGUEST
Like, oh, I'm doing radio show hosting at Triple J. I'm doing modeling.
Mayatu NovaGUEST
I'm doing writing for Mixmag and Lloyda.
Mayatu NovaGUEST
And I'm like, woohoo.
Mayatu NovaGUEST
But then it's like awkward because it's like, oh, but I've done things in the past.
Lars MurrayHOST
One of the other trends that Rob pointed out was nostalgia for pre-smartphone culture playing out in movie viewing and music listening.
Lars MurrayHOST
Over at MixMag, Megan Townsend is reporting that this throwback culture is also thriving in meatspace.
Lars MurrayHOST
According to a survey by Eventbrite, put down that phone has gone from something your parents yell at you to a nightclub attraction.
Lars MurrayHOST
Phone-free events have surged 567% this year, according to Eventbrite.
Chloe LulaHOST
Mm-hmm.
Marlon HoffstadtGUEST
The second thing is I, I, I have a bit of a problem with music journalism, not with Resident Advisor, not with Mixmag, or DJ Mag, or anyone.
Marlon HoffstadtGUEST
Just like-
Chloe LulaHOST
You can, you can have a problem with us also.
Marlon HoffstadtGUEST
You know? I, I ...
Marlon HoffstadtGUEST
It's like tabloid-ish, you know? Like, you, you, I don't think music journalism needs clickbait.
Marlon HoffstadtGUEST
I think music journalism needs values, and values are very important, and music journalism used to have such a big impact on, on artists' careers, on if, if an artist would have a cover on Mixmag or in Between the Beats or like some, some sort of, um, journalistic piece around them, that would give them a major push in their career.
Marlon HoffstadtGUEST
And now these days, I also notice that it got less and less.
DJ RapGUEST
We should make a record together." And so we made a record called The Adored, uh, by Ambience, uh, and it was Don't Be Afraid to Love, and that was my very first single, which funnily enough got Record of the Week.
DJ RapGUEST
You know, when it, uh, was it Mixmag did the Record of the Week?
Dexter JonesHOST
Yes.
Dexter JonesHOST
Yeah, yeah, yeah.
Glynn TolleyGUEST
Mm.
Glynn TolleyGUEST
And, um, Dave was representing Stress Records, so he was working, he was working for Mixmag and for DMC.
Glynn TolleyGUEST
They're all owned by the same people, Tony Prince.
Glynn TolleyGUEST
Um, and he said, you know, "We'd be interested in signing it." And, um, he said, "What interest have you had?" I said, "A lot." And when I told him what we were being offered, he said, "Oh, I wouldn't be able to offer you anywhere near as that 'cause we're only an independent." Mm.
Glynn TolleyGUEST
Um, so then after that it all went a bit kind of barren for me.
Glynn TolleyGUEST
I mean, they, they were providing me gigs at, uh, Stress Records.
Glynn TolleyGUEST
We were doing, like, Mixmag tours-
Paul GlazbyHOST
Yeah
Simon DohertyHOST
We still hold the keys.
Simon DohertyHOST
We are still running the show, they told Mixmag at the time.
Simon DohertyHOST
In a Facebook post this year, Mitchell reinforced this, saying, quote, it is important to understand that Live Nation's involvement is incredibly light touch.
Simon DohertyHOST
In a 2023 interview, Mitchell explained that his background and part of his initial inspiration was linked to the underground free party scene.
7 more episodes mention Mixmag.
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