Misfits

I feel like it kind of ruins the experience for performers too as well because... feel like for for up-and-comers as well social media has become so important to have if you want to be success like proper sort of more mainstream success and sort of develop these massive audiences you have to have social media now really word of mouth is only going to get you

against all the tenants of like punk unless you're doing like pop punk which it's pop punk for a reason i have nothing against it i enjoy my bits and pieces of it but like punk itself hardcore punk hardcore in general um is kind of like very i remember um When Misfits reunited, Sean and I went to see them, and Glenn Danzig himself was calling out people who had their cell phone out and fucking having them removed.

And I was like, good for you.

Good for you, because I'm here with all these aging punks to fucking listen to Misfits for the first time in my life live, reunited with Glenn and everybody.

I was like, don't fucking ruin this for me.

I want this.

He's been playing with them for quite a few years.

And I think the bassist is Steve Ving, who I want to say is something to do with Sam Hine, which is a band between Danzig and Misfits.

Yeah.

but no this one absolutely brilliant like it's one of those ones i think it only ever came out on cd i want to say so it's been due a reissue for a long time there's loads and loads of different um variants of it i tried to get a colored one like a nice like swirly one from a few different places but they sold out so quickly and i don't think uh cleopatra records have got the best distribution So in the end, I just cancelled my one because I've been waiting and waiting and waiting.

yeah.

Well, basically, in my mind, I wanted to complete my AFI collection that I've been slowly ticking off.

And the main one that I had on that was a 10-inch EP called All Hallows EP, which is a four-track, some of their most played songs, they still play them now quite a bit, with a Misfits cover.

And this was a reissue from a couple of years ago on like a Loro Pink vinyl.

Okay, let's go on to the next round.

It is Misfits, Nike A Go-Go, up against Monkey Fellow, Zurich, Straight Edge Go.

Oh, yeah.

Here is Misfits.

Here is Monkeyfellow.

This is Misfits all day.

Come on.

A joke band isn't getting out of the first round.

It's my destiny to remain, to replace It's my destiny to remain, to replace It's my destiny to remain, to replace

The Misfits and Ghouls Night Out.

Yeah, a classic from them.

That version is probably from a 7-inch they put out back in 1981 that also had London Dungeon and some other tracks on it.

The Misfits, kind of necessary for any Halloween-themed bunch of tracks, don't you think? well i think at least before the misfits we heard something brand new from a band called the mean ghouls they gave us a track called he is a serial killer and uh the mean ghouls are banned uh from the southern part of the uk And they've just released their debut record, and the horror goes on.

So hopefully we'll hear more from that new record soon.

But yeah, The Mean Ghouls out of the United Kingdom.

Anyway, let's keep going.

I hope you listen to Pumpkinhead by...

The Misfits.

But why? I actually don't listen to the Michael Graves Misfits.

At least that's what the White Belt thinks.

And I landed on the group Misfits.

And this was a song lyric off of their second album, Insomnia.

Earth A.D. slash Wolf's Blood, of course.

Wolf's Blood was track seven or something like that.

So the line in the song is, you bet your life there's going to be a fight.

So the Misfits were a group formed in 1977 in Lodi, New Jersey.

That's not the Lodi mentioned by Creedence Clearwater Revival.

Like, I remember I didn't know anything about Danzig.

I didn't know he was in The Misfits or Sam Saulween or Sam Hain or Saulwin or however he pronounces it.

Yeah.

But when I saw that cover, I remember just thinking, I want to hear that.