Michael Spierig

That, that was, um...

You know, for Peter and Mike, uh, Spierig, it's, it's, it's, it's always comes down to them as directors, um, and they've done a lot of visual world building in, in their previous movies, but it's always, always about characters for them.

So they wanted, and we all discussed this, and, and, and there's no point having characters you don't care about.

If you don't care about them, then we really don't care what happens-

And so it was interesting to see what mimicked on the, what was the, the script.

I think the, the, the actors walked away with that, uh, you know, post, uh, shooting as well.

You know? Um, and you know, I, I, I think it, you know, it was, it was nice that those transitions from overcoming your fears to, to the end of the movie, you know, photographically that, you know, one thing I appreciate about Peter and Michael Spierig was that they're very self-aware about light.

They're very aware of the truth that light, you know, perceives within a film.

I'll tell you a few stories.

So the director, as we were mentioning a little bit earlier, we've got Peter and Michael Spierig.

They are better known as the Spierig Brothers.

Yeah,

they're phenomenal directors.

You're gonna get a lot of news today.

And the directors behind Fall 2: Dead Point.

They will be on the show to talk about their movie, the follow-up to Fall.

Let's, let's get, let's get Alan here.

I'm sorry, folks.

It was a bomb.

Well, she's at a, a film festival, and she makes a comment ab- She questioned the lack of female directors in competition at film festivals.

She's saying this at a film festival.