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Memnon

Memnon

Mythological characterWikipedia

Search complete. 88 mentions across 57 episodes found for "Memnon".

Sep 17, 2026

ShakiraNARRATOR
109:17
like the voice of a golden star heard from afar perishing beauty calls out of the mist and rain like the song of a silver wind when the night is blind murmuring music falls never to rise again voice of the leaves that die whisper and sigh of ruinous gardens waning rose by ungathered rose dollar of pines immortal that guard the portal of a lonely mead retaining blossoms that no man knows voices of love and the autumn sun in my heart year one fairer the petals that fall dearer the beauty that dies and the pyres of autumn burning than a thousand springs returning o perishing loves that call in my heart and the hollow skies
Anusha IyerNARRATOR
110:27
Echo of Memnon from Ebony and Crystal by Clark Ashton Smith Read for LibriVox.org by Anusha Iyer I wondered ere the dream was done, Where over Nihilus' nanophars, With all its ears of quivering stars, The darkness listened for the sun.
Anusha IyerNARRATOR
110:48
Ere shadows were, ere night was gone, I found the one whom suns had sought, And waiting at his feet, methought, Had speech with Memnon in the dawn.
Anusha IyerNARRATOR
111:02
Sad as the last lamenting star, He sang, and clear as morning's gold, Unto his voice I saw unfold The hesitant, pale Nenufar.
Anusha IyerNARRATOR
111:15
But dolorous like the peal of dooms And proclamation of the night, The waste returned that voice of light With echo from its hollow tombs.
Kirsten WeaverNARRATOR
73:49
Statues suspected of holding something back from even the clearest-eyed men who have stood beholding and soliciting them.
Kirsten WeaverNARRATOR
73:58
But how obvious, beside Umberto, the Sphinx would be, and Memnon, how tamely he sits waiting for the dawn.
Kirsten WeaverNARRATOR
74:08
Matchless as a memorial, then, I say again, this statue is.
Kirsten WeaverNARRATOR
74:13
And as a work of art it has at least the advantage of being beyond criticism.
Louise J. BellNARRATOR
70:02
In ancient Greece the bones of heroes were superstitiously regarded, and those of Hector of Troy were sacredly preserved at Thebes.
Louise J. BellNARRATOR
70:17
The tools used in the construction of the Trojan horse were kept at Metapontum; the scepter of Pelops was held at Chaeronea; the spear of Achilles at Phocelis; and the sword of Memnon at Nicomedia.
Louise J. BellNARRATOR
70:40
Miraculous statues of Minerva that brandished spears abounded; and paintings that could blush, and images that could sweat, also existed.
Louise J. BellNARRATOR
70:58
In India there are numerous teeth of Buddha, which his worshipers believe capable of performing miracles; and his coat, which, as Prince Siddhattho, he laid aside on entering the priesthood, has been miraculously preserved, and is still shown.

42 MINS LATER

Louise J. BellNARRATOR
113:43
Zoroaster and Aesculapius also had similar experiences, as did Elijah and Adonis.
Louise J. BellNARRATOR
113:55
Osiris rose from the dead and bore the title of the resurrected one, his ascension being celebrated in Egypt at the vernal equinox, as is the Christ's, and as was Adonis's.
Louise J. BellNARRATOR
114:14
Other saviors who rose from the dead were Dionysius, Heracles, Memnon, Balder, and Quetzalcoatl.
Louise J. BellNARRATOR
114:29
Modern Catholics are still taught the fables of the bodily ascension of Jesus, Mary the Virgin, and Mary the Magdalene, and many other holy persons, as actual miraculous truths, not to be questioned nor denied.
Lizzie DriverNARRATOR
273:29
On the ninth day the king and his people made a great burying for Hector, such as had never been seen in the land of Troy.
Lizzie DriverNARRATOR
273:38
THE END OF TROY After these things came Memnon, a black warrior, who said he was the son of mourning.
Lizzie DriverNARRATOR
273:47
He slew Antilochus, son of Nestor, and was himself slain by Achilles.
Lizzie DriverNARRATOR
273:53
Not many days afterwards Achilles himself was slain by the Scythian gates.
John GreenmanNARRATOR
42:32
It is my box royal, and this amphitheater my theater of San Carlo.
John GreenmanNARRATOR
42:40
Yes, the scenery is magical, the illusion so complete And Madame Meadow Lark, my prima donna, plays her grand engagement here And drinking in her sunrise note, which, Memnon-like, seems struck from the golden window How far from me the weary face behind it! But every night, when the curtain falls, truth comes in with darkness No light shows from the mountain To and fro I walk the piazza deck, haunted by Mariana's face, and many as real a story End of section one Section two of The Piazza Tales by Herman Melville This LibriVox recording is in the public domain, read by John Greenman Chapter two A, Bartleby, part one I am a rather elderly man The nature of my avocations for the last thirty years has brought me into more than ordinary contact with what would seem an interesting and somewhat singular set of men, of whom, as yet, nothing, that I know of, has ever been written I mean the law copyists or scriveners I have known very many of them professionally and privately, and, if I pleased, could relate divers histories at which good-natured gentlemen might smile and sentimental souls might weep But I waive the biographies of all other scriveners for a few passages in the life of Bartleby, who was a scrivener, the strangest I ever saw or heard of While of other law copyists I might write the complete life, of Bartleby nothing of that sort can be done I believe that no materials exist for a full and satisfactory biography of this man It is an irreparable loss to literature Bartleby was one of those beings of whom nothing is ascertainable except from the original sources, and in his case those are very small What my own astonished eyes saw of Bartleby, that is all I know of him, except, indeed, one vague report which will appear in the sequel Ere introducing the scrivener as he first appeared to me, it is fit I make some mention of myself, my employer, my business, my chambers, and general surroundings, because some such description is indispensable to an adequate understanding of the chief character about to be presented Imprimis, I am a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best Hence, though I belong to a profession proverbially energetic and nervous, even to turbulence at times, yet nothing of that sort have I ever suffered to invade my peace I am one of those unambitious lawyers who never addresses a jury, or in any way draws down public applause, but, in the cool tranquillity of a snug retreat, do a snug business among rich men's bonds and mortgages and title-deeds All who know me consider me an eminently safe man The late John Jacob Astor, a personage little given to poetic enthusiasm, had no hesitation in pronouncing my first grand point to be prudence My next method I do not speak it in vanity, but simply record the fact that I was not unemployed in my profession by the late John Jacob Astor, a name which I admit I love to repeat, for it hath a rounded and orbicular sound to it, and rings like unto bullion I will freely add that I was not insensible to the late John Jacob Astor's good opinion Some time prior to the period at which this little history begins, my avocations had been largely increased The good old office now extinct in the State of New York of a Master of Chancery had been conferred upon me It was not a very arduous office, but very pleasantly remunerative I seldom lose my temper, much more seldom indulge in dangerous indignation at wrongs and outrages But I must be permitted to be rash here, and declare that I consider the sudden and violent abrogation of the office of Master in Chancery by the new Constitution as a blank, blank, premature act Inasmuch as I had counted upon a life lease of the profits, whereas I only received those of a few short years But this is by the way My chambers were upstairs at number blank, blank Wall Street At one end they looked upon the white wall of the interior of a spacious skylight shaft, penetrating the building from top to bottom This view might have been considered rather tame than otherwise, deficient in what landscape painters call life But if so, the view from the other end of my chambers offered, at least, a contrast, if nothing more.
John GreenmanNARRATOR
48:52
In that direction, my windows commanded an unobstructed view of a lofty brick wall, black by age and everlasting shade, which wall required no spyglass to bring out its lurking beauties but, for the benefit of all nearsighted spectators, was pushed up to within ten feet of my window panes.
John GreenmanNARRATOR
49:15
Owing to the great height of the surrounding buildings, and my chambers being on the second floor, the interval between this wall and mine not a little resembled a huge square cistern.
Ben TuckerNARRATOR
40:47
Knowing his astronomy, he thus gained a reprieve of nearly nine months, and he was confident that within that time he would either be dead or escaped to the coast with full knowledge of the Red One and of the source of the Red One's wonderful voice.
Ben TuckerNARRATOR
41:02
At first he had fancied the Red One to be some colossal statue, like Memnon, rendered vocal under certain temperature conditions of sunlight.
Ben TuckerNARRATOR
41:11
But when, after a war raid, a batch of prisoners was brought in and the sacrifice made at night, in the midst of rain, when the sun could play no part, the Red One had been more vocal than usual.
Ben TuckerNARRATOR
41:22
Bassett discarded that hypothesis.
Thomas CopelandNARRATOR
42:19
i smile now as i remember the range far afield often of our talks when we were in the mood for one i think that in those first ten days of our intercourse we touched on i should say a hundred subjects from Arpad the Great to the Seventh Symphony, from the prospects of Ausgleich to the theory of bisexual languages, from Washington to Kosut, from the novels of Yochai to the best Guliash, from harvesting machines, drainage, income taxes, and whether a woman ought to wear earrings or not, to the future state.
Thomas CopelandNARRATOR
42:55
No, one never was at a loss for a topic when with Imre, and one never tired of his talk about it, any more than one tired of him when mute as Memnon, because of his own meditations, or when he was, apparently, like the jolly young waterman, rowing along, thinking of nothing at all.
Thomas CopelandNARRATOR
43:14
And besides more general matters, there was, for so it is in friendship as in love, ever that quiet undercurrent of inexhaustible curiosity about each other, as an ego, a psychic fact, not yet mutually explained.
Thomas CopelandNARRATOR
43:30
Therewith comes in that kindly seeking to know better and better the other, as a being not yet fully outlined, as one whom we would understand even from the farthest away time when neither friend suspected the other's existence, when each was meeting the world alone, as one now looks back on those days, and was absorbed in so much else in life before time had been willing to say, Now meet, you two.
David RonaldNARRATOR
56:15
Goethe quoted by Outhouden on the Romans.
David RonaldNARRATOR
56:19
And another has thus written, Even in the things of the world around us there is an element of life, a yearning of what is bound, which like that Memnon statue unconsciously makes symphony when the ray touches it from above.
David RonaldNARRATOR
56:33
Schubert cited by the same.
David RonaldNARRATOR
56:35
End footnote.
Thomas CopelandNARRATOR
66:20
Dwell in some idle brain, And fancy's fawn with gaudy shapes possess, As thick and numberless As the gay motes that people the sunbeams, Or like as hovering dreams, The fickle pensioners of Morpheus' train.
Thomas CopelandNARRATOR
66:37
But hail, thou Goddess, sage and holy! Hail, divinest Melancholy! Whose saintly visage is too bright To hit the sense of human sight, And therefore to our weaker view Or laid with black, stained wisdom's hue Black, but such as in esteem Prince Memnon's sister might be seen, or that starred Ethiop queen that strove to set her beauty's praise above the sea-nymphs and their powers offended.
Thomas CopelandNARRATOR
67:11
Yet thou art higher far descended.
Thomas CopelandNARRATOR
67:14
Thee bright-haired Vesta long of yore to solitary Saturn bore.
Pamela NagamiNARRATOR
11:57
But this idea of the death and resurrection of the Lord of Light was no new importation brought in by the theology of Egypt or Persia.
Pamela NagamiNARRATOR
12:06
The story of the Egyptian Osiris was repeated in the Greek stories of Sarpedon and Memnon, of Tithonos and Asclepias, Asclepius, of the Teutonic Balder and Woden Odin.
Pamela NagamiNARRATOR
12:21
The birthplace of these deities, the scenes associated with their traditional exploits, became holy spots, each with its own consecrating legends, and not a few attracting to themselves vast gatherings of pilgrims.
Pamela NagamiNARRATOR
12:35
It was not wonderful, therefore, that the worshippers of these and other like gods should, on professing the faith of Christ, carry with them all that they could retain of their old belief without utterly contradicting the new, that his nativity should be celebrated at the time when the sun begins to rise in the heavens, and his resurrection when the victory of light over darkness is achieved in the spring.

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