McCartney 3,2,1

So, yes, my content is all sort of centrally located at The Fine Print, which is my blog, which you can find on The Hollywood Reporter.

If you have trouble with that, though, most of my content can be found either on the TV Reviews page or occasionally, if we're talking about a documentary at a film festival, on the Film Reviews page.

And of course, as you said, I have a Friday newsletter.

It comes out kind of mid-afternoon Friday, basically whenever I finish it.

It's called Now See This, and it's simultaneously an overview of the things that have been written during the week, plus kind of a teaser for the week to come, plus a lot of little blurby type reviews for things that weren't worth full reviews.

So for example, in last week's newsletter, that is the only place you will find my full review, but my 150 word review on season six of Slow Horses and on the ESPN 30 for 30 documentary, 14 Days in Gainesville.

So a lot of extra bonus content, plus it's free.

So it's like bonus content and it costs you absolutely nothing to get bonus content.

Rick Rubin's, it's his first directional real documentary.

He did have a part in McCartney 321.

This is the first one that he's head of, in front of, front facing.

The way he's doing it, it's a structure going song by song.

Just really, really intricate stuff.

If you were on Apple TV+, there was a show called McCartney 321.

That was Paul McCartney and Rick Rubin doing kind of the same thing.

So now we're moving to the hip hop world and we're talking to Hova for this one.

It's worth the price of admission.

Rick Rubin himself said it on McCartney 321.

It sounds like a song that has existed forever.

It sounds like it's come out of the 20s.

But Paul has stayed consistent with his story.

He's told it in the McCartney 321 miniseries.

I think I heard him tell the same story to Howard Stern at one point.

So maybe he had the song as far back as 1965.