Blimey.

So they were desperate, [laughs] she says.

But they were, they were desperate.

And, um- I had just finished doing Fame at the Victoria Palace, and I didn't really have a lot on, and I was told to go in and audition.

A, I didn't really want to be an understudy, not because there's nothing wrong with understudying, but I can't remember my own track, let alone somebody else's.

So on that, talking about audiences, what do you think keeps theater audiences continuing to fall in love with live performance, and do you have any advice for any aspiring performers out there?

Um, I think consistency in a musical is what audiences love as well.

So there's like, there's the, there's the vein of the surprise, of the new shows, and eclectic shows, and wild shows.