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Max

Max

SoftwareWikipedia

Search complete. 7 mentions across 5 episodes found for "Max".

Sep 30, 2026

EiliyasGUEST
36:25
But for me, it was something very specific about the interfacing That was another factor basically.
EiliyasGUEST
36:35
And I was very interested and I started to think, okay, so if that's the case, like what if I create my own instrument? At that time, I didn't know anything about Pure Data or Max MSP, or even if it was like available, I didn't have the resources to build or make my own instrument.
EiliyasGUEST
36:53
But through like a particular accident, I realized that with feedback, actually what happened is that One day I was recording a saxophone part and I didn't have a microphone stand.
EiliyasGUEST
37:12
Yeah, like I'm in my early twenties.
Sinan BokesoyGUEST
2:55
I studied computer music research and contemporary music so programming applications came out of some creative necessity for me.
Sinan BokesoyGUEST
3:08
I wanted to realize some ideas so and like 25 years ago I maybe yeah almost 30 years ago I studied started studying C sound and then during my PhD studies Max MSP and then later the C++ frameworks became popular I started to learn C++ and realized my first application, which is Cosmos F Saturn, which you can see here.
Sinan BokesoyGUEST
3:47
Oh, we can't see
Joshua HodgeHOST
3:48
your screen.

12 MINS LATER

Sinan BokesoyGUEST
16:18
So at that moment, carefully step by step, I do this process, I check this process.
Sinan BokesoyGUEST
16:29
But I don't directly start coding without validating the idea as a prototype.
Sinan BokesoyGUEST
16:41
Before the AI, I was using, for example, Max to quickly check the idea to Max MSP.
Sinan BokesoyGUEST
16:57
It's a patching environment, so that would give me some confidence in moving on because when you start in juice hearing the sound the first sound with interacting with the sliders then it might take quite a long time so and then you don't want to be disappointed at that level and so prototyping is very important in that sense but with the AI now things are definitely changing but this is how I work I mean first I have to prototype things and this SSNN was prototyped on Unity I mean by me and actually I could find a Python framework which was doing already the spiking neural network stuff but I needed to write it again this framework I mean to this creating a network which spikes by myself and then check things and be sure I'm in control of everything so later I lost control of the code when I passed the task to the AI, of course, the agents.
Margaret GlaspyGUEST
34:52
I think I used to be, I mean, there was never like a lot of technology, but everything was, I messed around with Ableton for a long time.
Margaret GlaspyGUEST
35:02
I was messing around with Max MSP.
Margaret GlaspyGUEST
35:04
I would like really nerd out and trying to like build synthesis and stuff there.
Margaret GlaspyGUEST
35:10
Um, I'd always built, I would use iPads and like make demos on an iPad, um, just in garage band, but those were always really great tools for me.
Christopher KeachGUEST
55:54
So, um, I actually haven't seen a draft yet, so I'm, I'm excited to see what it, it turns out to, to sound like.
Christopher KeachGUEST
55:59
Um, but it's gonna be with a Max MSP patch.
John SnellHOST
56:02
Mm-hmm.
Christopher KeachGUEST
56:03
Um, and I'll be controlling effects with the pedals, so I'll be switching, um, different sets and different effects as he writes them for the, for the piece.
NathanGUEST
2:19
We're really excited.
NathanGUEST
2:20
We've got a few collaborators who are actually going to use the Max MSP patch and play our games for the final release, which I think is a really interesting way of continuing the project, expanding it, and having a As composers that spend a lot of time writing for each other, it's a really fun practice to write with, to get new collaborators in and see how we can communicate those ideas, what they do with those ideas, and what's beyond our idiosyncrasies that we have developed and are very familiar with.
NathanGUEST
3:06
We get to expand past that.
Sam ThompsonHOST
3:08
No, I do want to get into more of sort of the details about what this actually sounds like, but just in terms of getting this release happening on, like you said, a label from the States, how did that connection happen? Because I know you've done, obviously you've been doing this for a while, the two of you, and you put out releases before, but this is the first sort of major being released by someone else from elsewhere.

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