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Mastering

Mastering

Search complete. 14 mentions across 9 episodes found for "Mastering".

Sep 6, 2026

Phil SoussanGUEST
15:54
You have to have self-confidence to do that.
AndrewHOST
15:57
Well, speaking of trusting what you know, you were the judge, jury and executioner on this album, Mixing, Mastering.
AndrewHOST
16:03
Yeah.
AndrewHOST
16:05
At what point was there any song or any idea on it where you're like, I really need to get a third party's opinion on this because it's just got me stumped?

Unknown podcast

Minor Threat: The Rise, Peak, and Breakup That Shocked Washington DC Hardcore

Sep 5 · 1 Mention

speaker_1HOST
12:46
The ripple effect was a generation of engineers who saw themselves as guardians rather than money-hungry saviors.
speaker_1HOST
12:56
Mastering is the final hand that shapes the sound before it hits a vinyl, yet those technicians rarely get spotlight.
speaker_1HOST
13:04
A lacquer cutter's knife must glide perfectly to avoid a needle skipping that could ruin an entire press run.
speaker_1HOST
13:12
The people who cut plates in cramped warehouses are often paid the same as a barista, and yet they decide whether the record will survive or flop.
Tom SnivelyHOST
15:01
But, you know, each one was done separately.
Tom SnivelyHOST
15:05
Mastering is normally done at an album level where you're taking a whole album and mastering it at one time so that you can match things across all the songs so that they all sound about the same volume, that the bass is the same or the treble is about the same, you know, among all the songs.
Tom SnivelyHOST
15:23
So that was kind of a new thing.
Tom SnivelyHOST
15:25
And I actually changed the plugins that I was using for mastering.
speaker_28UNKNOWN
74:52
Quero lhe falar, lhe, lhe, lhe falar.
speaker_27UNKNOWN
74:55
Mastered field expands across the globe.
speaker_28UNKNOWN
74:57
Das coisas que aprendi nos discos.
speaker_27UNKNOWN
75:01
Missionary, so streets, so more livable.
Brett GurewitzGUEST
38:40
And this is my hot take.
Brett GurewitzGUEST
38:41
Mastering is not even a thing anymore.
Brett GurewitzGUEST
38:43
I mean, you know, because the mastering tools now are slapped right onto Pro Tools.
Brett GurewitzGUEST
38:49
And when your mixer is making a mix for you, he's sending you a – here's air quotes here for your listeners – a pre-mastered version.
Brett GurewitzGUEST
39:49
And so, like, that's kind of what mastering is now.
Brett GurewitzGUEST
39:52
But I would say 50 percent of the time.
Brett GurewitzGUEST
39:55
It sounds worse, not better after mastering, you know, whereas it used to be, you know, you go to Doug Sacks at Mastering Lab and it's like, oh, my God, this guy, he's a wizard.
Brett GurewitzGUEST
40:07
I love going in there and listening to it and, you know, going through the better or worse thing.
speaker_4UNKNOWN
32:37
like,
Victoria Muffet CatesGUEST
32:38
I'm, I'm watching like a ton of videos and I'm like, like one of them is like mastering.com and like there, it's just like, you know, as far as like the treated room and everything, like,
JoshGUEST
32:48
If you record in our second bedroom, it's like where our cats hang out.
JoshGUEST
32:52
There's nothing professional looking about it.
Benedikt HeinHOST
0:00
Mastering is this dark art, this mysterious final step at the end of the record-making process, and a lot of self-recording artists and a big portion of our audience here as well doesn't fully understand it, or sometimes they confuse mastering with mixing.
Benedikt HeinHOST
0:16
And, um, this is why I'm super excited to welcome and introduce my guest today.
Benedikt HeinHOST
0:23
I am here with mastering engineer, Maher Appelbaum.
Benedikt HeinHOST
4:34
And I, I th- I kinda had a feeling that this was the case, but it's way less technical and more about the music and how it is perceived than compared to what a lot of people do when they talk about mastering.
Benedikt HeinHOST
4:44
So this is, this is really, really cool to hear.
Benedikt HeinHOST
4:47
Um, on that note, when I went to your website, I saw the kind of tagline at the top where it says, um, "Maher Appelbaum Mastering," and then "Sounds with Impact." What does that line mean to you? What, what...
Benedikt HeinHOST
4:59
How would you define impact in that case?
Maor AppelbaumGUEST
5:02
Well, yeah, you can define it in a lot of ways.
speaker_2SOUNDBITE_SPEAKER
79:19
Lead script writing and episode design by Sarah Jo.
speaker_2SOUNDBITE_SPEAKER
79:23
Audio mixing, mastering, and repair by Shane Morrow of Morrow Mixing and Mastering.
speaker_2SOUNDBITE_SPEAKER
79:28
Director of Photography, Ethan Schatz.
speaker_2SOUNDBITE_SPEAKER
79:33
A heartfelt thank you to our ground team and Patreon supporters.
Reed FoxGUEST
1:47
Yeah, well, I was living in a house with a bunch of friends, and we started Moon Magnet Collective, and it was a recording studio, and it still is.
Reed FoxGUEST
1:55
Moon Magnet Mixing and Mastering is my recording studio in Denver, but it's evolved over the years, like a lot.
Reed FoxGUEST
2:03
Yeah, award-winning!
Arica NettervilleHOST
2:05
We're going to talk about them.

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