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Masaki Kobayashi

Masaki Kobayashi

Japanese filmmakerWikipedia

Search complete. 18 mentions across 7 episodes found for "Masaki Kobayashi".

Oct 18, 2026

David HopkinsHOST
63:19
Kwaidan, as we mentioned at the beginning of the episode, maybe not saying it correctly.
David HopkinsHOST
63:23
1964 Japanese horror anthology film directed by Masaaki Kobayashi from a screenplay by Yoko Mizuki.
David HopkinsHOST
63:30
It consists of four separate stories adapted from, man, I forgot how to say this dude's name.
David HopkinsHOST
63:37
It looks like Lafcadio Hearn.

45 MINS LATER

Dave RobertsHOST
109:00
But even so...
Dave RobertsHOST
109:01
the sheer scale of that studio and the backdrops, the sky, the paintings of like pagodas in the background, just all of it was really so well done.
Dave RobertsHOST
109:15
And it's such a beautiful movie that it's left me thinking to myself, I don't know if I knew about Masaaki Kobayashi before watching this film, but I certainly do now to the point that like i'm looking and he's got at least there's a couple of samurai movies he made called harakiri and rebellion which he made either side of this and i'm interested to watch him now i really am
David HopkinsHOST
109:42
yeah he's definitely uh one that i is a huge blind spot for me as well um Even his Wikipedia page, I think...
WillHOST
22:20
...
WillHOST
22:20
but Kobayashi, uh, Masaki Kobayashi making, uh, Kwaidan-
SammyHOST
22:25
Mm
WillHOST
22:25
... after Harakiri and Human Conditions, Samurai Rebellion.
HarryHOST
13:03
which is the highest rated movie
LukeHOST
13:05
The highest-read actual movie, which is number one on the top 500 narrative features, is Harakiri, a samurai movie from 1962 by Masaaki Kobayashi.
LukeHOST
13:14
I've seen it.
LukeHOST
13:15
It is sick, to be fair.
Adam LundyHOST
92:11
Yeah.
Adam LundyHOST
92:13
but with Kobayashi we kind of have to talk about the human condition trilogy the final part is in the 60s and 61 but parts 1 and 2 came out in this era so we might as well kind of talk about it as a trilogy Jesus Christ did you finish it in the end
Chris HaskellHOST
92:31
No, I was going to wait, but I saw the first one, obviously.
Chris HaskellHOST
92:35
I do want to quickly say this kind of leads in well into the human condition, I think.
Chris HaskellHOST
92:39
So Kobayashi is an interesting guy.
Chris HaskellHOST
92:41
You know, he's a cousin of Tanaka.
Chris HaskellHOST
92:43
Yeah, exactly.
Adam LundyHOST
94:07
know power still corrupts absolutely and people are terrible and all that stuff but like it's so fucking good um it's just peak filmmaking um i love part one part two is is great uh part three
Tony MichasHOST
10:57
My favourite Japanese horror film is from 1963, I believe.
Tony MichasHOST
11:01
It is a film by Masaaki Kobayashi and the movie is called Kidan.
Tony MichasHOST
11:07
But it's spelled K-W-A-I-D-A-N, Kwaidan.
Tony MichasHOST
11:11
But it's pronounced Kidaan.
speaker_2HOST
29:10
A classic
speaker_1HOST
29:11
This is directed by Masaki Kobayashi and is based on a 1958 novel by Junpei Gomikawa.
speaker_1HOST
29:17
And when I say novel, I mean, like, a staggering six-part literary behemoth
speaker_2HOST
29:23
And, and translating a, a six-part novel of, of this magnitude is a, is a monumental undertaking
MorganGUEST
38:22
The other one that
Zachary MorgasonHOST
38:22
I would think about would be The Human Condition by Masaaki Kobayashi, particularly the first part of it.
Zachary MorgasonHOST
38:28
But if you've ever read the Rivette thing on Capo, the Giovanni Pontecorvo movie Capo that has Emanuel Riva in it, those guys, I mean, you've heard it from Hanukkah, right? He's the successor to that whole generation of french fucking kahir do cinema losers who is like schindler's list is fucking evil or whatever yeah it's it's too big of a brush to paint with but i often think about it when we do get into situations where i feel the same way where i'm like well i mean you just kind of showed me how badass it looked and now you're telling me that it sucks Is it both?
Cole DuffyHOST
39:03
I think that's just part of the contradiction that we all have to live with.

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