Masaaki Yuasa
Japanese director and screenwriterWikipedia
5
MENTIONS
5
EPISODES
4
PODCASTS
Search complete. 5 mentions across 5 episodes found for "Masaaki Yuasa".
Sep 30, 2026
Anime of the Month: Neon Genesis Evangelion and End of Evangelion!
C
60:02Connor O'NeillHOST
Uh, who was the director's name?
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60:04Matthew HughesHOST
Uh, you are looking at Masaki Yuasa.
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60:09Connor O'NeillHOST
Okay.
C
60:10Connor O'NeillHOST
So yeah, so we've watched something which, uh, like, is by the same creator, obviously.
88: Inu-Oh
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0:56NickHOST
So with that, ashin! okay so uh per the usual um like to go over kind of the the production and the staff uh part of it first so um made in debuted uh september of 2021 at the venice film festival and then had the theatrical run in japan in may of 2022 um Produced by Science Saru.
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1:24NickHOST
I believe this is the last project that Masaaki Yuasa worked with Science Saru before departing.
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1:32NickHOST
But he is credited as the director.
N
1:35NickHOST
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4: Raman Djafari
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11:39Raman DjafariGUEST
There was something in his work where I felt like he's doing something with the medium where he edits in a way that is really particular to animation and creates this kind of weird disorientation in the world.
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11:50Raman DjafariGUEST
And I also really connected with Masaaki Yuasa's work.
R
11:53Raman DjafariGUEST
who does a lot of work with stretching bodies but I think in his work and this now comes only through reflecting later it's like it didn't feel like it's just some kind of cool aesthetic gimmick it felt like he's expressing something really particular with it and what he's expressing I think is you get into the sense of a physical experience of living where it's like through this accentuated physicality, you feel the excitement of a character or you feel the sadness of a character.
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12:22Raman DjafariGUEST
And I think this is kind of what I stuck with in the beginning.
4: Raman Djafari
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11:39Raman DjafariGUEST
There was something in his work where I felt like he's doing something with the medium where he edits in a way that is really particular to animation and creates this kind of weird disorientation in the world.
R
11:50Raman DjafariGUEST
And I also really connected with Masaaki Yuasa's work.
R
11:53Raman DjafariGUEST
who does a lot of work with stretching bodies, but I think in his work, and this now comes only through reflecting later, it's like, it didn't feel like it's just some kind of cool aesthetic gimmick.
R
12:07Raman DjafariGUEST
It felt like he's expressing something really particular with it.
What Even Is "Otaku Doomerism"?
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1:25PsyoticHOST
Inuo.
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1:27PsyoticHOST
The same Inuo, as it turns out, from the Masaki Yuasa movie from a few years ago.
P
1:34PsyoticHOST
Yeah, yeah.
P
1:34PsyoticHOST
And we were like, wait a minute.