Maroon

just went inside and I, I, I told, you know, the, the ... my computer, I said, "Give me random weird lyrics," okay? And it just popped up this.

This is apparently Maroon by Taylor Swift, okay? I'm not a Swiftie.

I don't ...

I ...

Mm-hmm.

So all of us started to realize in Maroon, "Lost you, the one,"

Yeah.

Uh-

And then they're like, wait a minute, Maroon is the, about the same person as The 1, 'cause she references-

Yeah

... that song.

Yeah

So I think the pink clouding is back to this story again of- These three Taylors, right? She's telling us in her final show through her perspective what happened, right? Through the showgirl's perspective.

I also do think it's, like, the showgirl's version of Maroon.

She, like, can't quite do what the poet does or even the man does when she sings about her own feelings.

'Cause at the end of the day, it's a little bit more fruicier than when the poet has the point of view, right? It's like this pink, fruicy, cloudy, puffy version of what Lavender Haze or Maroon is, which is so showgirl.

It's also the lesbian flag, okay? Let's be real.

"Met the magenta sunrise," magenta, "fuchsia forever intertwined." Like, we're already halfway through the lesbian flag, and it's been two lines.

I love that album too.

Yeah, like Maroon.

Livin' in Haze and Maroon, yes.

Maroon is so good.

Uh, Sweet Nothing.

Sweet Nothing, you've met my husband.

Let's do all of them.

Getaway Car, Midnight Rain, Maroon, Pink Clouding.

Well, I was gonna say mine was because of the potential-

Well, yeah [laughs]

I'm jumping off now

...

I also love the connection you made to like Maroon 'cause that's a different shade of red, right? That one was he haunted her, right? I wake with your memory over me.

Oh my gosh, we're going too much into this song.

She began this album with Jack right around the time Red TV dropped.

Maroon shows how the memories change with time and perspective, which she'll also later do with Woulda, Coulda, Shoulda.

But similar to how All Too Well differs from Dear John, Maroon doesn't seek to slam Mr. Gyllenhaal into the ground.

It's just one menace on what was and ultimately never was.

The second verse is very similar in imagery to the breaking point portion of All Too Well short film.

Wine, burgundy, rust, scarlet, lips.

Her lips are always red.

Maroon, roses, carnations, ruby, rosé, blood, cheeks.