Mark Korven

[laughs]

Uh, the score by Mark Korven is phenomenal.

It's pretty good.

It's really fucking scary.

And this is a very general statement.

Obviously there's a lot of film scores outside of that that are doing very cool, innovative things, but it's those genres specifically, whether it's, like, Michael Levy or Mark Korven or Charlie Clouser or Joseph Bishara or even, like, The Barons from doing Forbidden Planet way back in the '50s and using electronics to do that, right? So I wanted to ask you two from your unique perspective, like, what do you think it is about horror and sci-fi that seems to invite this kind of experimentation more than other genres? And, you know, what is it about working in these genre spaces that sort of...

I, maybe, and maybe it's not this, maybe it's just you in general, that makes you wanna push boundaries.

Horror and sci-fi, um, are the, the genres that challenging your imagination the most and your, th- th- those are genres that allows us to push the boundaries, uh, as much as possible.